A Clockwork Orange
Wendy Carlos · 1972
46 min · 15 tracks · electronic
A groundbreaking fusion of classical compositions and electronic soundscapes that redefined film scoring.
Why this album works
The album not only achieved commercial success but also played a crucial role in popularizing electronic music within mainstream cinema. Its innovative approach to sound design and arrangement influenced numerous artists and filmmakers, establishing Carlos as a key figure in the genre and contributing to the broader cultural conversation around technology and art during the early 1970s.
- Best for
- wave-like pacing for reflection dynamic mix of themes short bursts of intensity
- Context
- When 'A Clockwork Orange' was released in January 1972, Wendy Carlos was already recognized for her pioneering work in electronic music, particularly following the success of her previous album, 'Switched-On Bach' (1968). This project marked a significant evolution in her career, as she transitioned from traditional interpretations to bold experimental arrangements tailored specifically for Stanley Kubrick's provocative film.
- Stylistic neighbors
- Paul Kalkbrenner· Isao Tomita· Moby
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Title Music From A Clockwork Orange Standout 2:25
- 2 The Thieving Magpie (abridged) 5:57
- 3 Theme From A Clockwork Orange (Beethoviana) Standout 1:48
- 4 Ninth Symphony, Second Movement (abridged) 3:52
- 5 March From A Clockwork Orange (Ninth Symphony, Fourth Movement, abridged) 7:06
- 6 William Tell Overture (abridged) 1:20
- 7 Pomp and Circumstance March no. I 4:35
- 8 Pomp and Circumstance March no. IV (abridged) 1:38
- 9 Timesteps (excerpt) 4:18
- 10 Overture to the Sun 1:46
- 11 I Want to Marry a Lighthouse Keeper 1:04
- 12 William Tell Overture (abridged) 3:02
- 13 Suicide Scherzo (Ninth Symphony, Second Movement, abridged) 3:09
- 14 Ninth Symphony, Fourth Movement (abridged) 1:38
- 15 Singin’ in the Rain Standout 2:37
Reference: Wikipedia · MusicBrainz · Wikidata
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