A Clockwork Orange
Wendy Carlos · 1972
46 min · 15 tracks · electronic music
A groundbreaking fusion of classical orchestration and electronic sounds that reimagines iconic compositions through a dystopian lens.
Top tracks — play these first
-
→
Title Music From A Clockwork Orange — This opening track establishes the album's unique sound, blending synthetic textures with classical motifs, setting the tone for the entire collection.
-
→
Theme From A Clockwork Orange (Beethoviana) — This piece creatively juxtaposes Beethoven's work with electronic arrangements, showcasing Carlos's ability to reinterpret historical compositions through modern technology.
-
→
March From A Clockwork Orange (Ninth Symphony, Fourth Movement, abridged) — As a pivotal moment in the score, this arrangement highlights the tension between chaos and order, aligning perfectly with the film’s themes of violence and rehabilitation.
-
→
Singin’ in the Rain — Carlos's eerie rendition transforms this familiar tune into something unsettling, effectively reflecting the film’s dark humor and critique of society.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalInnovative electronic reinterpretations of classical music create a distinct soundscape, though some tracks feel abbreviated.
What we noticed
- Several tracks are abridged versions of classical works, creating a sense of urgency and brevity in the arrangements.
- The use of synthesizers is prominent throughout, often layering sounds to create rich textures that evoke the film's dystopian themes.
- Composition 25% of the score
-
8/10
- Craft 20% of the score
-
9/10
- Durability 25% of the score
-
7/10
- Distinctiveness 18% of the score
-
8/10
- Sequencing 12% of the score
-
6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- wave-like pacing for reflection
- dynamic mix of themes
- short bursts of intensity
- immersive listening in sequence
- quirky charm with playful undertones
Maybe skip if you
- prefer straightforward song structures
- seek instant gratification tracks
Where this album fits
- Career context
- Released in 1972, A Clockwork Orange marked Wendy Carlos's transition from pioneering electronic music to mainstream recognition, following her successful debut Switched-On Bach in 1968. This album not only served as the soundtrack for Stanley Kubrick's controversial film of the same name but also solidified her influence in film scoring and electronic music production.
- Stylistic neighbors
- Isao Tomita· Klaus Schulze· Jean-Michel Jarre
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Title Music From A Clockwork Orange 2:25
- 2 The Thieving Magpie (abridged) 5:57
- 3 Theme From A Clockwork Orange (Beethoviana) 1:48
- 4 Ninth Symphony, Second Movement (abridged) 3:52
- 5 March From A Clockwork Orange (Ninth Symphony, Fourth Movement, abridged) 7:06
- 6 William Tell Overture (abridged) 1:20
- 7 Pomp and Circumstance March no. I 4:35
- 8 Pomp and Circumstance March no. IV (abridged) 1:38
- 9 Timesteps (excerpt) 4:18
- 10 Overture to the Sun 1:46
- 11 I Want to Marry a Lighthouse Keeper 1:04
- 12 William Tell Overture (abridged) 3:02
- 13 Suicide Scherzo (Ninth Symphony, Second Movement, abridged) 3:09
- 14 Ninth Symphony, Fourth Movement (abridged) 1:38
- 15 Singin’ in the Rain 2:37
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.