What makes Always Something There by Stanley Turrentine notable?

'Always Something There' received acclaim for its innovative approach to pop standards, reaching notable chart positions and introducing jazz to a wider audience. The album features successful covers such as 'Light My Fire' and 'Hey Jude,' which helped solidify Turrentine's reputation as a versatile artist who brought a fresh sound to familiar songs. In 1968, Stanley Turrentine was establishing himself as a prominent figure in jazz, building on the success of his previous albums like 'Blue Hour.' 'Always Something There' marked a significant foray into more accessible pop tunes, showcasing his ability to bridge jazz with mainstream appeal. This album came during a period when Turrentine was expanding his artistic reach, appealing to both jazz aficionados and broader audiences.

Who is Always Something There for?

Always Something There works well if you're into soulful saxophone melodies, easygoing afternoon listening and smooth transitions between tracks.

How many songs are on Always Something There?

Always Something There has 10 tracks, running approximately 36 minutes.

Always Something There

Stanley Turrentine · 1968

36 min · 10 tracks · jazz

A smooth blend of jazz and pop with soulful saxophone melodies weaving through contemporary covers.

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Why this album works

'Always Something There' received acclaim for its innovative approach to pop standards, reaching notable chart positions and introducing jazz to a wider audience. The album features successful covers such as 'Light My Fire' and 'Hey Jude,' which helped solidify Turrentine's reputation as a versatile artist who brought a fresh sound to familiar songs.

Best for: soulful saxophone melodies easygoing afternoon listening smooth transitions between tracks
Context: In 1968, Stanley Turrentine was establishing himself as a prominent figure in jazz, building on the success of his previous albums like 'Blue Hour.' 'Always Something There' marked a significant foray into more accessible pop tunes, showcasing his ability to bridge jazz with mainstream appeal. This album came during a period when Turrentine was expanding his artistic reach, appealing to both jazz aficionados and broader audiences.
Stylistic neighbors: Bing Crosby· Bob Dylan· Barbra Streisand· Ella Fitzgerald· Aretha Franklin· Dave Brubeck· Ray Charles· Andy Williams