Blow-Up
Herbie Hancock · 1967
43 min · 17 tracks · classical · funk · jazz fusion
An eclectic mix of jazz textures and avant-garde soundscapes that complement the film's surreal aesthetic.
Is this for you?
Good fit if you like
- dynamic exploration of themes
- wave-like pacing with surprises
- short tracks for quick engagement
- surreal soundscapes for deep focus
- curious listening for auditory adventure
Maybe skip if you want
- seeking straightforward, catchy tunes
- prefer longer, cohesive narratives
Where this album fits
- In the catalog
- Breakthrough — Established Hancock's reputation in film scoring and popularized jazz in soundtracks.
- Themes
- surreal cinematic landscapes· emotive character dynamics
- Career context
- Released in January 1967, 'Blow-Up' marked Herbie Hancock's first foray into film scoring following his success with the Miles Davis Quintet. At this point, he was transitioning from a prominent jazz musician to an influential figure in cinematic music, showcasing his innovative approach to composition and improvisation.
- Stylistic neighbors
- Chick Corea· Weather Report· Miles Davis
- If this clicks, go next to
- Speak Like a Child — Continues the exploration of jazz textures with a fresh approach.
- Sounds like this from elsewhere
-
Bitches Brew by Miles Davis — Explores avant-garde jazz fusion with surreal soundscapes and emotive improvisation.A Love Supreme by John Coltrane — Shares spiritual themes and complex textures, creating a cinematic listening experience.
Tracklist
New here? Start with "Main Title (Blow-Up)".
- 1 Main Title (Blow-Up) Start here 1:35
- 2 Verushka (Part 1) 2:42
- 3 Verushka (Part 2) 2:09
- 4 Butchie's Tune 2:34
- 5 Did You Ever Have To Make Up Your Mind? 1:58
- 6 Bring Down The Birds (Outtake) 1:49
- 7 The Naked Camera 3:23
- 8 Jane's Theme 5:00
- 9 The Thief 3:11
- 10 The Kiss 4:13
- 11 Curiosity 1:29
- 12 Thomas Studies Photos 1:10
- 13 The Bed 2:34
- 14 Stroll On 2:44
- 15 End Title (Blow-Up) 0:50
- 16 Am I Glad To See You (Outtake) 4:26
- 17 Blow-Up (Outtake) 1:53
What to play next
This album is considered a Breakthrough in Herbie Hancock's catalog. Established Hancock's reputation in film scoring and popularized jazz in soundtracks.
Reference: Wikipedia · MusicBrainz · Wikidata
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