Burial
Death in June · 1984
42 min · 10 tracks · folk rock · gothic rock · neofolk
Eerie acoustic soundscapes intertwine with haunting vocals, creating an atmosphere of introspection and unease.
Why this album works
The album is significant for its role in the neofolk genre's emergence, influencing numerous artists and scenes while also sparking debates around its provocative themes. Its underground success helped solidify Death in June's reputation as pioneers of dark folk music, with tracks like 'Death of the West' often cited for their lyrical depth and thematic content.
- Best for
- immersive acoustic soundscapes dynamic live performance energy introspective and haunting moods
- Context
- Released in 1984, 'Burial' marked Death in June's debut album following the band's formation in 1981. At this point, frontman Douglas P. was establishing his distinctive style that blended folk and post-punk influences, setting the stage for his controversial and influential career.
- Stylistic neighbors
- Swans· Sopor Aeternus & the Ensemble of Shadows· Aquarium
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Death of the West Standout 2:11
- 2 Fields Standout 2:45
- 3 All Alone in Her Nirvana 2:46
- 4 Sons of Europe 2:48
- 5 Black Radio Standout 6:55
- 6 Till the Living Flesh is Burned (live) 7:21
- 7 All Alone in Her Nirvana (live) 3:51
- 8 Fields (live) 3:33
- 9 We Drive East (live) 3:40
- 10 Heaven Street (live) 6:42
Reference: Wikipedia · MusicBrainz · Wikidata
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