Gommalacca
Franco Battiato · 1998
44 min · 10 tracks · new wave · opera · pop rock
A kaleidoscopic blend of electronic textures, operatic vocals, and progressive rock influences that challenges traditional song structures.
Is this for you?
Good fit if you like
- steady pacing with climactic moments
- kaleidoscopic soundscapes for exploration
- immersive listening in order
- thought-provoking themes and narratives
Maybe skip if you want
- seeking instant gratification
- prefer straightforward song structures
Where this album fits
- Themes
- societal power critique· operatic reinterpretation· spiritual exploration
- Career context
- By the time 'Gommalacca' was released in 1998, Franco Battiato had already established himself as a pioneering figure in Italian music, with a career spanning nearly three decades. This album followed his acclaimed 1996 release 'L'ombrello e la macchina da cucire,' showcasing his continued evolution in sound and thematic depth, while also reflecting his explorations into spirituality and philosophy.
- Stylistic neighbors
- Brian Eno· David Bowie· Roxy Music
- Sounds like this from elsewhere
-
Hounds of Love by Kate Bush — Similar blending of art pop and experimental sounds, with a focus on narrative and emotional depth.Secrets of the Beehive by David Sylvian — Shares a sonic palette of introspective electronics and layered production, with a spiritual undertone.Orbus Terrarum by The Orb — Explores ambient soundscapes with electronic textures, echoing themes of exploration and sociopolitical critique.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Shock in My Town 4:24
- 2 Auto da fé 3:59
- 3 Casta diva 3:38
- 4 Il ballo del potere 4:26
- 5 La preda 3:44
- 6 Il mantello e la spiga 3:58
- 7 È stato molto bello 3:49
- 8 Quello che fu 4:29
- 9 Vite parallele 3:23
- 10 Shakleton 8:34
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.