Gone, Just Like a Train
Bill Frisell · 1998
68 min · 15 tracks · post-bop · progressive jazz
Ethereal guitar melodies weave through intricate jazz landscapes, blending solitude and introspection with a hint of Americana.
Why this album works
The album received widespread acclaim upon its release, solidifying Frisell's reputation within the jazz community and attracting new listeners. It is often noted for its blend of jazz with Americana influences, impacting subsequent artists who sought to merge genres and evoke storytelling through instrumental music.
- Best for
- ethereal melodies for introspection dynamic journey with varied tempos for reflective afternoons
- Context
- By the time Bill Frisell released 'Gone, Just Like a Train' in 1998, he had established himself as a distinctive voice in jazz, following the critically acclaimed 'Good Dog, Happy Man' from 1996. This album marked a pivotal moment as Frisell began to incorporate more narrative elements into his compositions, reflecting his evolving artistic vision and personal experiences.
- Stylistic neighbors
- Prince· Christina Aguilera· Madonna· Ricky Martin· Cher· No Doubt· Harry Nilsson· Alanis Morissette
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Blues for Los Angeles 5:18
- 2 Verona 3:09
- 3 Godson Song Standout 4:38
- 4 Girl Asks Boy (Part 1) 3:36
- 5 Pleased to Meet You 4:12
- 6 Lookout for Hope Standout 10:20
- 7 Nature’s Symphony 4:58
- 8 Egg Radio 5:06
- 9 Ballroom 3:22
- 10 Girl Asks Boy (Part 2) 2:20
- 11 Sherlock Jr. 2:51
- 12 Gone, Just Like a Train Standout 5:30
- 13 The Wife and Kid 5:49
- 14 Raccoon Cat 3:24
- 15 Lonesome 4:17
Reference: Wikipedia · MusicBrainz · Wikidata
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