Hear No Evil
Bill Laswell · 1988
42 min · 6 tracks · jazz · dub music
An atmospheric fusion of dub and jazz that immerses listeners in a hypnotic soundscape.
Why this album works
The album was notable for its experimental approach and received positive critical acclaim, helping to solidify Laswell's reputation in the music industry. It influenced many artists within the dub and jazz scenes, contributing to the growing acceptance of genre-blending during the late 1980s.
- Best for
- steady mid-tempo immersive journey hypnotic soundscapes for focus atmospheric background for relaxation
- Context
- Released in 1988, 'Hear No Evil' is Bill Laswell's follow-up to his acclaimed work on the group Material. At this point in his career, Laswell was establishing himself as a pivotal figure in avant-garde music, blending genres and collaborating with diverse artists. This album showcases his innovative approach to sound manipulation and rhythm.
- Stylistic neighbors
- Queen Latifah· Meshell Ndegeocello· Monica· The Roots· Christina Aguilera· El DeBarge· Teena Marie· Prince
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Lost Roads Standout 7:26
- 2 Bullet Hole Memory 7:13
- 3 Illinois Central 6:59
- 4 Assassin Standout 6:24
- 5 Stations of the Cross Standout 7:13
- 6 Kingdom Come 7:33
Reference: Wikipedia · MusicBrainz · Wikidata
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