Heaven & Hell
Joe Jackson · 1997
50 min · 8 tracks · jazz · new wave · punk
A sophisticated blend of orchestral arrangements and pop sensibilities that explores the duality of existence.
Why this album works
'Heaven & Hell' was notable for its ambitious structure, combining classical music forms with contemporary themes, which garnered critical acclaim. The album’s unique sound attracted attention within the artsy pop scene and demonstrated Jackson's diverse musical range, solidifying his position as a genre-defying artist.
- Best for
- steady pacing with gradual builds orchestral arrangements for deep focus thoughtful listening during quiet moments
- Context
- Released in 1997, 'Heaven & Hell' marked Joe Jackson's return after a five-year hiatus following the album 'Night and Day II'. This project showcased his artistic evolution, incorporating classical elements alongside jazz and pop influences, reflecting his willingness to experiment while maintaining commercial appeal.
- Stylistic neighbors
- Paul McCartney· Queen· Eric Clapton· Sting· David Bowie· Elton John· The Who· Ringo Starr
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Prelude (feat. violin: Nadja Salerno-Sonnenberg) 2:59
- 2 Fugue 1 / More Is More 5:32
- 3 Angel (feat. vocal: Dawn Upshaw, vocal: Suzanne Vega, violin: Mary Rowell, viola: Allison Cornell & congos and bongos: Sue Hadjopoulos) 7:10
- 4 Tuzla (feat. vocal: Joy Askew, vocal: Dawn Upshaw & Radio Croatia and the Avatar Rainbow Coalition) 7:37
- 5 Passacaglia / A Bud and a Slice (feat. vocal: Brad Roberts & Judy LeClair) 8:38
- 6 Right (feat. drums: Dan Hickey, drums: Kenny Aronoff & plastic bucket: Jared Crawford) 4:41
- 7 The Bridge (feat. vocal: Jane Siberry & congos and bongos: Sue Hadjopoulos) 5:59
- 8 Fugue 2 / Song of Daedalus (feat. violin: Nadja Salerno-Sonnenberg) 7:55
Reference: Wikipedia · MusicBrainz · Wikidata
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