I Like to Score
Moby · 1997
48 min · 12 tracks · alternative rock · house · punk
A cinematic blend of ambient soundscapes and pulsing electronic rhythms that evoke a sense of introspection.
Is this for you?
Good fit if you like
- wave-like pacing for introspection
- cinematic soundscapes for focus
- short tracks encourage replaying
- dynamic ebb and flow experience
- evocative moods for quiet moments
Maybe skip if you want
- seeking high-energy party tracks
- prefer standalone singles over cohesion
Where this album fits
- Themes
- cinematic soundscapes· Twin Peaks nostalgia· modern film scoring
- Career context
- By the time 'I Like to Score' was released in 1997, Moby had already gained recognition with his breakthrough album 'Everything Is Wrong' in 1995. This album served as an exploration of his burgeoning interest in film scoring, showcasing a more melodic and atmospheric side of his music as he transitioned into a prominent figure in the electronic music scene.
- Stylistic neighbors
- Massive Attack· Thievery Corporation· Air
- Sounds like this from elsewhere
-
Moon Safari by Air — Shares the same atmospheric soundscapes and cinematic quality, for introspective listening.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Novio 2:38
- 2 James Bond Theme (Moby’s re-version) 3:23
- 3 Go 3:59
- 4 Ah-Ah 2:24
- 5 I Like to Score 2:21
- 6 Oil 1 4:51
- 7 New Dawn Fades 5:34
- 8 God Moving Over the Face of the Waters 5:44
- 9 First Cool Hive 5:41
- 10 Nash 1:22
- 11 Love Theme 4:36
- 12 Grace 5:26
Reference: Wikipedia · MusicBrainz · Wikidata
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