Oblivion
Edin Karamazov · 2009
46 min · 11 tracks · sung poetry
A haunting blend of classical guitar and poignant vocals creates an intimate atmosphere filled with nostalgia and longing.
Top tracks — play these first
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Oblivion — The title track encapsulates the album's essence with its ethereal melodies and introspective lyrics, making it a focal point of Karamazov's exploration of memory and loss.
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Hallelujah — This cover resonates deeply through Karamazov's unique interpretation, blending emotional depth with intricate guitar work that highlights his artistry.
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Cinema Paradiso (Tema d’amore) — This track stands out for its cinematic quality, evoking powerful imagery through both instrumentation and vocal delivery, bridging personal experience with universal themes.
Is this for you?
Good fit if you like
- haunting, emotional soundscapes
- long, immersive listening sessions
- contemplative evening reflections
- layered, dense sonic textures
Where this album fits
- Career context
- When 'Oblivion' was released in 2009, Edin Karamazov was solidifying his reputation as a unique voice in sung poetry, following his previous work that blended classical influences with contemporary themes. This album marked a significant step in his career, showcasing his virtuosic guitar skills alongside emotive vocal performances.
- Stylistic neighbors
- Goran Bregović· Vesna Pisarović· Anouar Brahem
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Melodia sentimental 3:52
- 2 A boy named Hiroshima 4:14
- 3 Oblivion 3:20
- 4 Wachet auf, ruft uns die stimme 2:41
- 5 Cinema Paradiso (Tema d’amore) 3:22
- 6 Hallelujah 5:07
- 7 Ja vstretil vas 4:53
- 8 Amarilli mia bella 2:40
- 9 Alfonsina y el mar 3:35
- 10 Koyunbaba 7:45
- 11 So maki sum se rodila 4:27
Reference: Wikipedia · MusicBrainz · Wikidata
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