What makes Seis De Mayo by Trey Anastasio notable?

Seis De Mayo received positive reviews and helped solidify Anastasio's reputation as a formidable solo artist outside of Phish. The album's orchestral arrangements, particularly on tracks like Guyute, were noted for their ambitious scope, influencing not only Anastasio's future work but also fellow musicians looking to expand the boundaries of rock music. Released in 2004, Seis De Mayo marked Trey Anastasio's first studio album following the hiatus of Phish, during which he explored his solo artistry. This album was significant as it showcased a shift toward more experimental sounds, blending rock with orchestral elements, setting the tone for Anastasio's creative direction in the years to come.

Who is Seis De Mayo for?

Seis De Mayo works well if you're into short bursts of adventurous energy, eclectic sound for deep exploration and climactic peaks with orchestral depth.

How many songs are on Seis De Mayo?

Seis De Mayo has 7 tracks, running approximately 29 minutes.

Seis De Mayo

Trey Anastasio · 2004

29 min · 7 tracks · alternative rock

A vibrant blend of improvisational rock infused with orchestral arrangements and intricate melodies that showcase Anastasio's distinctive guitar work.

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Top tracks — play these first

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Guyute (orchestral) — This track stands out due to its ambitious orchestration and extended length, showcasing Anastasio's ability to weave complex musical narratives within a rock framework.
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Andre the Giant — The track features catchy hooks and playful lyrics that highlight Anastasio's knack for storytelling through music, making it an engaging opening piece.
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All Things Reconsidered — This song exemplifies Anastasio's lyrical introspection and melodic complexity, reflecting the themes of personal growth evident throughout the album.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

58 /100

Treeline

Higher than 49% of albums we've rated

The album blends rock and orchestral elements effectively but lacks strong cohesion in its flow.

What we noticed

The album opens with a spoken word piece that sets a narrative tone, followed by tracks that blend rock instrumentation with orchestral elements.
The final track, Guyute, incorporates a full orchestral arrangement, creating a dramatic contrast to the preceding songs.

Composition 25% of the score: 7/10
Craft 20% of the score: 8/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 7/10
Sequencing 12% of the score: 5/10

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

short bursts of adventurous energy
eclectic sound for deep exploration
climactic peaks with orchestral depth
engaging journey through improvisation

Maybe skip if you

prefer straightforward, single tracks
seek immediate, consistent gratification

Where this album fits

Career context: Released in 2004, Seis De Mayo marked Trey Anastasio's first studio album following the hiatus of Phish, during which he explored his solo artistry. This album was significant as it showcased a shift toward more experimental sounds, blending rock with orchestral elements, setting the tone for Anastasio's creative direction in the years to come.
Stylistic neighbors: Phish· Umphrey's McGee· Dave Matthews Band