Sonny Stitt with the New Yorkers
Sonny Stitt · 1957
39 min · 9 tracks · jazz
A vibrant blend of bebop and swing, showcasing Stitt's virtuosic saxophone lines against a rich backdrop of ensemble jazz.
Top tracks — play these first
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Cherokee — Stitt's interpretation of this bebop standard showcases his incredible technical ability and improvisational flair, making it a highlight of the album.
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Body & Soul — This track exemplifies Stitt's emotional depth and ability to convey vulnerability through his saxophone, transforming a well-known ballad into an intimate experience.
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It Might As Well Be Spring — Stitt infuses this classic with a playful yet sophisticated arrangement, illustrating his mastery over melody and rhythm.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album showcases Stitt's improvisational skills within a vibrant ensemble context, marking a solid entry in his discography.
What we noticed
- The album features a consistent use of complex chord changes typical of bebop, particularly evident in tracks like 'Cherokee' and 'Body & Soul'.
- Stitt's saxophone lines often engage in call-and-response with the ensemble, creating a dynamic interplay throughout the record.
- Each track maintains a brisk tempo, with only slight variations that keep the energy high without significant dips.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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6/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- steady melodic development throughout
- for afternoon relaxation
- engaging ensemble arrangements shine
- virtuosic saxophone moments delight
Maybe skip if you
- prefer fast-paced listening experiences
- seek standalone track variety
Where this album fits
- Career context
- In 1957, Sonny Stitt was establishing himself as a prominent figure in the jazz world, following his earlier successes and collaborations. This album marked a significant moment in his career as it showcased his artistic prowess alongside the New Yorkers, a talented collective that provided a fresh sound to his interpretations of classic standards.
- Stylistic neighbors
- Charlie Parker· John Coltrane· Ornette Coleman
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 The Best Things In Life Are Free 5:00
- 2 Engos, The Bloos 3:40
- 3 It Might As Well Be Spring 5:40
- 4 Cherokee 4:05
- 5 I Didn't Know What Time It Was 4:30
- 6 Body & Soul 3:52
- 7 People Will Say We're In Love 4:50
- 8 Bloosey 3:45
- 9 Birds' Eye 4:15
Reference: Wikipedia · MusicBrainz · Wikidata
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