What makes Stereotomy by The Alan Parsons Project notable?

'Stereotomy' received mixed reviews but is notable for its exploration of themes related to technology and modernity, which resonated with the growing digital culture of the time. The album reached No. 29 on the Billboard 200 chart and has since been influential among progressive rock enthusiasts, often cited for its ambitious arrangements and conceptual depth. Released on November 1, 1985, 'Stereotomy' was The Alan Parsons Project's seventh studio album, following the commercial success of 'Eye in the Sky.' At this point, the band was exploring more experimental sounds while navigating changes in their lineup and shifting musical landscapes. This album marked a transition towards a more synthesizer-driven approach, reflecting the evolving trends in rock music during the mid-1980s.

Who is Stereotomy for?

Stereotomy works well if you're into long, immersive listening sessions, layered, dense sonic textures and atmospheric background focus.

How many songs are on Stereotomy?

Stereotomy has 9 tracks, running approximately 41 minutes.

Stereotomy

The Alan Parsons Project · 1985

41 min · 9 tracks · progressive rock · art rock

A fusion of lush soundscapes and intricate melodies that echo the complexities of modern life.

Spotify Apple Music YouTube Music

YouTube Deezer Bandcamp SoundCloud

Own it: Amazon eBay

Why this album works

'Stereotomy' received mixed reviews but is notable for its exploration of themes related to technology and modernity, which resonated with the growing digital culture of the time. The album reached No. 29 on the Billboard 200 chart and has since been influential among progressive rock enthusiasts, often cited for its ambitious arrangements and conceptual depth.

Best for: long, immersive listening sessions layered, dense sonic textures atmospheric background focus
Context: Released on November 1, 1985, 'Stereotomy' was The Alan Parsons Project's seventh studio album, following the commercial success of 'Eye in the Sky.' At this point, the band was exploring more experimental sounds while navigating changes in their lineup and shifting musical landscapes. This album marked a transition towards a more synthesizer-driven approach, reflecting the evolving trends in rock music during the mid-1980s.
Stylistic neighbors: XTC· The Sisters of Mercy· Siouxsie and the Banshees· Jah Wobble· Flesh for Lulu· The Sound· Felt· We've Got a Fuzzbox and We're Gonna Use It