Summit Meeting
Elvin Jones · 1977
40 min · 5 tracks · post-bop
Dynamic post-bop rhythms intertwine with expansive improvisation, showcasing the depth of jazz's evolving landscape.
Why this album works
'Summit Meeting' is notable for its intricate compositions and impressive improvisational sections that highlight Jones's prowess as a drummer. The album received critical acclaim and contributed to the growing recognition of post-bop jazz during the late 1970s, influencing contemporaries in the genre.
- Best for
- steady builds with rhythmic interplay immersive listening in quiet spaces exploratory improvisation that unfolds gradually
- Context
- By 1977, Elvin Jones was already an established jazz drummer known for his work with the John Coltrane Quartet. 'Summit Meeting' marked a significant point in his solo career, being his first album released in four years after 'The Main Force' in 1973. This album reflects his continual evolution as a musician and bandleader in the post-bop genre.
- Stylistic neighbors
- Herbie Hancock· Charles Mingus· John Coltrane
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Tee Pee Music Standout 8:10
- 2 Blues for Clark Standout 5:58
- 3 Moody Magic 6:13
- 4 Summit Song Standout 10:15
- 5 Jones 9:47
Reference: Wikipedia · MusicBrainz · Wikidata
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