The End of Law
Bill Laswell · 1999
48 min · 22 tracks · jazz · dub music
A hypnotic fusion of dub and experimental soundscapes that evoke ancient narratives and mystical journeys.
Why this album works
- Best for
- hypnotic soundscapes for deep focus dynamic journey with interludes mystical narratives for reflective moods
- Context
- By the time 'The End of Law' was released in 1999, Bill Laswell was already an established figure in the avant-garde music scene, known for his innovative work in dub and jazz. This album followed his previous project, 'Panthalassa', where he reinterpreted Miles Davis’s music, showcasing Laswell's continuous exploration of genre-blending and sound manipulation.
- If you like
- jazz, dub music
The End of Law is an album by Bill Laswell, released in 1999. A hypnotic fusion of dub and experimental soundscapes that evoke ancient narratives and mystical journeys. This album is notable for its ambitious concept, intertwining themes of historical narratives with musical experimentation, which has influenced subsequent artists in the experimental electronic genre. Critics praised it as a significant addition to Laswell's discography, highlighting its unique approach to storytelling through sound. Here's what makes it worth your time and what to listen to next.
Frequently Asked Questions
What does The End of Law sound like?
A hypnotic fusion of dub and experimental soundscapes that evoke ancient narratives and mystical journeys. Rooted in jazz and dub music.
What makes The End of Law by Bill Laswell notable?
This album is notable for its ambitious concept, intertwining themes of historical narratives with musical experimentation, which has influenced subsequent artists in the experimental electronic genre. Critics praised it as a significant addition to Laswell's discography, highlighting its unique approach to storytelling through sound. By the time 'The End of Law' was released in 1999, Bill Laswell was already an established figure in the avant-garde music scene, known for his innovative work in dub and jazz. This album followed his previous project, 'Panthalassa', where he reinterpreted Miles Davis’s music, showcasing Laswell's continuous exploration of genre-blending and sound manipulation.
Who is The End of Law for?
The End of Law works well if you're into hypnotic soundscapes for deep focus, dynamic journey with interludes and mystical narratives for reflective moods.
How many songs are on The End of Law?
The End of Law has 22 tracks, running approximately 48 minutes.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 First Reading 0:30
- 2 The Old Man of the Mountain 3:13
- 3 The Western Lands Standout 6:13
- 4 The Spilled Cup 1:48
- 5 Marco Polo's Tale 1:44
- 6 Pilgrimage to Cairo 1:50
- 7 Freya Stark at Alamut 0:21
- 8 Castles 0:58
- 9 Hashish Poem 2:53
- 10 Sinan's Boat 1:56
- 11 Assassinations 0:33
- 12 The Mongols Destroy Alamut 1:15
- 13 The Divine Self Standout 5:11
- 14 Morning High 3:04
- 15 A Quick Trip to Alamut Standout 3:42
- 16 Slogans 0:47
- 17 Book of the Highest Initiation 2:42
- 18 The Lord of the Ressurection 0:53
- 19 Assassinations 0:53
- 20 Tale of the Caliph Hakem 5:01
- 21 The Assassins 2:06
- 22 Last Reading 0:38
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