The Killing Fields cover

The Killing Fields

Mike Oldfield · 1984

38 min · 17 tracks · classical · pop rock · progressive rock

A haunting blend of orchestral arrangements and ambient textures, reflecting the tragic narrative of war.

Is this for you?

Good fit if you like

  • dynamic narrative progression
  • haunting orchestral arrangements
  • wave-like pacing throughout
  • immersive storytelling through sound

Maybe skip if you want

  • prefer upbeat, fast-paced music
  • want standalone tracks only

Where this album fits

Themes
war's emotional gravity· survival amidst chaos
Career context
Released in late 1984, 'The Killing Fields' followed Mike Oldfield's successful album 'Crises' from 1983. This soundtrack marked a transition for Oldfield as he ventured into film scoring, showcasing his ability to convey deep emotion through instrumental music. It was a pivotal step in his career, highlighting his versatility beyond traditional album formats.
Stylistic neighbors
Vangelis· Jean-Michel Jarre· Enya
Sounds like this from elsewhere
The Hours by Philip Glass — Shares haunting orchestral textures and emotional depth reflecting life's struggles and resilience.
Watermark by Enya — Combines ethereal soundscapes with a melancholic atmosphere, echoing themes of introspection and tranquility.
Blade Runner by Vangelis — Blends orchestral elements with ambient soundscapes, capturing a sense of dystopian beauty and emotional weight.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Pran’s Theme 0:48
  • 2 Requiem for a City 2:10
  • 3 Evacuation 5:13
  • 4 Pran’s Theme 2 1:41
  • 5 Capture 2:23
  • 6 Execution 4:47
  • 7 Bad News 1:14
  • 8 Pran’s Departure 2:06
  • 9 Worksite 1:16
  • 10 The Year Zero 0:28
  • 11 Blood Sucking 1:18
  • 12 The Year Zero 2 0:37
  • 13 Pran’s Escape / The Killing Fields 3:17
  • 14 The Trek 2:02
  • 15 The Boy’s Burial / Pran Sees the Red Cross 2:43
  • 16 Good News 1:46
  • 17 Étude 4:38

Reference: Wikipedia · MusicBrainz · Wikidata