The Killing Fields
Mike Oldfield · 1984
38 min · 17 tracks · classical · pop rock · progressive rock
A haunting blend of orchestral arrangements and ambient textures, reflecting the tragic narrative of war.
Is this for you?
Good fit if you like
- dynamic narrative progression
- haunting orchestral arrangements
- wave-like pacing throughout
- immersive storytelling through sound
Maybe skip if you want
- prefer upbeat, fast-paced music
- want standalone tracks only
Where this album fits
- Themes
- war's emotional gravity· survival amidst chaos
- Career context
- Released in late 1984, 'The Killing Fields' followed Mike Oldfield's successful album 'Crises' from 1983. This soundtrack marked a transition for Oldfield as he ventured into film scoring, showcasing his ability to convey deep emotion through instrumental music. It was a pivotal step in his career, highlighting his versatility beyond traditional album formats.
- Stylistic neighbors
- Vangelis· Jean-Michel Jarre· Enya
- Sounds like this from elsewhere
-
The Hours by Philip Glass — Shares haunting orchestral textures and emotional depth reflecting life's struggles and resilience.Watermark by Enya — Combines ethereal soundscapes with a melancholic atmosphere, echoing themes of introspection and tranquility.Blade Runner by Vangelis — Blends orchestral elements with ambient soundscapes, capturing a sense of dystopian beauty and emotional weight.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Pran’s Theme 0:48
- 2 Requiem for a City 2:10
- 3 Evacuation 5:13
- 4 Pran’s Theme 2 1:41
- 5 Capture 2:23
- 6 Execution 4:47
- 7 Bad News 1:14
- 8 Pran’s Departure 2:06
- 9 Worksite 1:16
- 10 The Year Zero 0:28
- 11 Blood Sucking 1:18
- 12 The Year Zero 2 0:37
- 13 Pran’s Escape / The Killing Fields 3:17
- 14 The Trek 2:02
- 15 The Boy’s Burial / Pran Sees the Red Cross 2:43
- 16 Good News 1:46
- 17 Étude 4:38
Reference: Wikipedia · MusicBrainz · Wikidata
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