Urban Bushmen
Art Ensemble of Chicago · 1982
92 min · 10 tracks · free jazz
A vibrant fusion of free jazz and traditional African rhythms, echoing the urban experience and cultural roots.
Why this album works
'Urban Bushmen' is significant for its bold melding of diverse musical influences, contributing to the global dialogue in jazz. It received critical acclaim for its adventurous sound, helping to further legitimize improvisational music within mainstream jazz circles. The album's thematic engagement with African heritage also resonated with movements emphasizing cultural identity during the early 1980s.
- Best for
- dynamic exploration of urban themes wave-like pacing with resolution immersive listening in two halves
- Context
- By 1982, the Art Ensemble of Chicago had solidified their identity as pioneers in free jazz, following their influential albums like 'Bap-Tizum' (1973) and 'Nice Guys' (1979). 'Urban Bushmen' marked a continuation of their exploration into the intersection of jazz and African musical traditions, showcasing their innovative approach to improvisation and ensemble dynamics. This album came during a period when they were transitioning into greater recognition in the avant-garde scene.
- Stylistic neighbors
- Christina Aguilera· Prince· Diana Ross· Bob Dylan· Madonna· Barbra Streisand· Thelonious Monk· Aretha Franklin
Tracklist
Best experienced from track one — press play and let it unfold.
Disc 1
- 1 Promenade: Cote Bamako I 4:11
- 2 Bush Magic Standout 5:05
- 3 Urban Magic: a) March; b) Warm Night Blues Stroll; c) Down the Walkway; RM Express 15:45
- 4 Sun Precondition Two - Theme for SCO: a) Soweto Messenger; b) Bushman Triumphant; c) Entering the City; d) Announcement of Victory Standout 21:53
Disc 2
- 1 New York Is Full of Lonely People 7:37
- 2 Ancestral Meditation Standout 6:56
- 3 Uncle 17:29
- 4 Peter and Judith 2:39
- 5 Promenade: Cote Bamako II 5:57
- 6 Odwalla / Theme 5:14
Reference: Wikipedia · MusicBrainz · Wikidata
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