Is 0079–0088 a good place to start with Gackt?

Yes, 0079–0088 is recommended as a starting point for new Gackt listeners. A fusion of rock and orchestral elements, blending emotional intensity with Gackt's signature theatricality. By the time of its release in December 2007, Gackt was already a prominent figure in the Japanese music scene, known for his unique blend of rock and pop. '0079–0088' came as a follow-up to his album 'The Sixth Day', showcasing his continued evolution as an artist who frequently experimented with diverse musical styles and thematic concepts.

Who is 0079–0088 for?

0079–0088 works well if you're into steady mid-tempo introspection, haunting melodies for reflection and emotional depth in every track.

How many songs are on 0079–0088?

0079–0088 has 9 tracks, running approximately 37 minutes.

0079–0088

Gackt · 2007

37 min · 9 tracks · rock music

A fusion of rock and orchestral elements, blending emotional intensity with Gackt's signature theatricality.

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Top tracks — play these first

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哀戦士 Start here — establishes the sonic palette early
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Metamorphoze — This track stands out for its powerful orchestral arrangement combined with rock elements, capturing Gackt's distinctive sound and lyrical depth regarding transformation.
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Dears — A heartfelt ballad that showcases Gackt's emotive vocal delivery, 'Dears' resonates with themes of longing and devotion, reflecting his ability to connect deeply with listeners.
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Dybbuk — 'Dybbuk' features an intriguing blend of gothic imagery and modern rock, representing Gackt's flair for theatrical storytelling within his music.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

64 /100

Treeline

Higher than 79% of albums we've rated

The album blends rock and orchestral elements effectively, showcasing Gackt's theatrical style while maintaining strong emotional themes.

What we noticed

The album opens with a dramatic orchestral introduction that sets a theatrical tone, followed by tracks that alternate between rock instrumentation and orchestral arrangements.
Several tracks feature layered vocal harmonies, with Gackt's voice often accompanied by backing vocals that enhance the emotional intensity.
The interlude track '砂の十字架～Interlude～' serves as a bridge, creating a pause in the album's narrative before transitioning into the more intense 'Dybbuk'.
The final track 'めぐりあい' concludes with a gradual decrescendo, allowing the listener to experience a sense of resolution.

Composition 25% of the score: 7/10
Craft 20% of the score: 8/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 8/10
Sequencing 12% of the score: 7/10

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

steady mid-tempo introspection
haunting melodies for reflection
emotional depth in every track
ideal for quiet evenings

Maybe skip if you

prefer fast-paced music
seek upbeat party vibes

Where this album fits

In the catalog: Breakthrough — Solidified Gackt's status in J-Rock and expanded his influence beyond music.
Themes: orchestral rock evolution· romantic longing· dark emotional exploration
Career context: By the time of its release in December 2007, Gackt was already a prominent figure in the Japanese music scene, known for his unique blend of rock and pop. '0079–0088' came as a follow-up to his album 'The Sixth Day', showcasing his continued evolution as an artist who frequently experimented with diverse musical styles and thematic concepts.
Stylistic neighbors: Malice Mizer· Dir En Grey· X Japan