Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Sharp, danceable songwriting and a distinctive new-wave voice carry the record; its brief shifts in mood add shape without making the sequencing feel indispensable.
What we noticed
- The opening three tracks move from the clipped guitar-and-keyboard attack of “En mi garage” to the more dance-oriented “El probador” and the title track’s repeated refrain.
- “Ellos nos han separado” breaks the early run of kinetic songs with a more restrained, minor-key feel before the sequence returns to brisker pop.
- The 12th listed track is a Spanish-language version of “Qué hago en Manila?”; it is an alternate take, not part of the original album’s closing arc.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 En mi garage 2:56
- 2 El probador 3:16
- 3 Hay que salir del agujero interior 3:03
- 4 Qué hago en Manila? 4:43
- 5 Ellos nos han separado 4:38
- 6 Juegos postergados 2:52
- 7 Buenos Aires smog 3:14
- 8 Carolina 2:11
- 9 Autocontrol 2:41
- 10 Mundo enano 2:53
- 11 Los sueños de Drácula 5:34
- 12 Qué hago en Manila? (versión española) 3:43
Reference: MusicBrainz · Wikidata
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