All cover

All

Yann Tiersen · 2019

62 min · 11 tracks · rock music

A delicate tapestry of minimalist piano and layered instrumentation that evokes a sense of nostalgia and introspection.

Top tracks — play these first

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    Erc’h — This track stands out for its expansive composition that builds gradually over nine minutes, allowing listeners to immerse themselves fully in its layered melodies. The interplay between the piano and strings creates an evocative atmosphere that encapsulates the essence of the album.
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    Koad — With a hypnotic rhythm and haunting harmonies, this piece highlights Tiersen's knack for blending organic sounds with electronic elements, making it a quintessential example of his evolving style. Its rhythmic pulse invites movement while maintaining an introspective mood.
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    Tempelhof — Opening the album, this track sets the tone with its gentle piano lines and understated orchestration that slowly unfolds into a lush soundscape. It perfectly introduces the listener to the meditative quality that permeates throughout 'All'.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

59 /100
Treeline
Higher than 57% of albums we've rated

The album features rich textures and layered instrumentation, creating an introspective listening experience.

What we noticed

  • The album opens with a minimalist piano piece that sets a reflective tone, which is maintained through the first half of the record.
  • Layered instrumentation gradually builds in complexity, particularly in tracks like 'Erc’h' and 'Heol', where strings and subtle electronic elements are introduced.
  • Several tracks feature recurring motifs that create a sense of continuity, while others shift dramatically in mood, such as the transition from 'Aon' to 'Prad'.
  • The final track concludes with a gentle fade-out, leaving a lingering sense of introspection.
Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
8/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
6/10

whether it sounds like itself

Sequencing 12% of the score
7/10

running order, pacing, length

Influence 2/10

Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • long, immersive listening sessions
  • dynamic emotional journeys
  • atmospheric background focus
  • gradual builds and payoffs

Where this album fits

In the catalog
Late Career Highlight — Shows continued vitality and relevance in Tiersen's evolving sound.
Career context
When 'All' was released in 2019, Yann Tiersen was already recognized for his innovative blend of folk, classical, and rock influences, following the success of previous albums like 'Skyline' in 2014. This album marked a return to his instrumental roots, after experimenting with more vocal-driven work in recent years, showcasing his ability to craft atmospheric soundscapes.
Stylistic neighbors
Max Richter· Ólafur Arnalds· Nils Frahm

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Tempelhof 6:09
  • 2 Koad 6:00
  • 3 Erc’h 9:20
  • 4 Usal Road 2:59
  • 5 Pell 5:54
  • 6 Bloavezhioù 4:58
  • 7 Heol 6:32
  • 8 Gwennilied 4:33
  • 9 Aon 2:49
  • 10 Prad 4:54
  • 11 Beure kentañ 7:54

Reference: Wikipedia · MusicBrainz · Wikidata