What makes Around 6 by Kenny Wheeler notable?

Around 6 is noteworthy for its innovative approach to jazz composition and has been influential in shaping modern chamber jazz. The album received positive critical reception and helped establish Wheeler as a prominent figure in the genre, paving the way for future explorations in avant-garde jazz. Released in 1980, Around 6 marks Kenny Wheeler's emergence as a significant voice in the avant-garde jazz scene, following his earlier work with influential bands. This album showcases Wheeler's transition into a more expansive compositional style, building on the foundations laid by his previous releases and collaborations.

Around 6 works well if you're into deep contemplation and exploration, fluid transitions between pieces and patient unfolding of ideas.

How many songs are on Around 6?

Around 6 has 6 tracks, running approximately 46 minutes.

Around 6

Kenny Wheeler · 1980

46 min · 6 tracks · jazz

A complex interplay of delicate melodies and intricate rhythms creates a rich, immersive tapestry of avant-garde jazz.

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Top tracks — play these first

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Mai We Go Round — This opening track sets the tone for the album with its intricate melodic lines and rhythmic complexity, showcasing Wheeler's unique trumpet style and compositional depth.
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Follow Down — With its extended form and exploratory nature, this track exemplifies Wheeler's ability to blend structured improvisation with lyrical passages, creating an engaging listening experience.
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Riverrun — This piece highlights Wheeler's skill in crafting atmospheric soundscapes while maintaining a sense of cohesion among the ensemble, reflecting his collaborative spirit.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental

71 /100

Alpine

Higher than 95% of albums we've rated

The album's intricate compositions and distinct instrumental focus contribute to its lasting appeal in avant-garde jazz.

What we noticed

Each track showcases a different instrumental focus, such as the use of flugelhorn in 'Solo One' and piano in 'Riverrun', highlighting individual musicianship.
The final track, 'Lost Woltz', gradually decreases in tempo and intensity, providing a reflective conclusion to the album's intricate explorations.

Composition 25% of the score: 8/10
Craft 20% of the score: 7/10
Durability 25% of the score: 8/10
Distinctiveness 18% of the score: 8/10
Sequencing 12% of the score: 6/10

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

deep contemplation and exploration
fluid transitions between pieces
patient unfolding of ideas
intimate late-night listening
immersive headphone experience

Maybe skip if you

seeking instant gratification
prefer upbeat party vibes

Where this album fits

Career context: Released in 1980, Around 6 marks Kenny Wheeler's emergence as a significant voice in the avant-garde jazz scene, following his earlier work with influential bands. This album showcases Wheeler's transition into a more expansive compositional style, building on the foundations laid by his previous releases and collaborations.
Stylistic neighbors: Dave Holland· John Abercrombie· Evan Parker

Tracklist

Best experienced from track one — press play and let it unfold.

1 Mai We Go Round 10:30
2 Solo One 3:33
3 May Ride 7:26
4 Follow Down 11:37
5 Riverrun 7:35
6 Lost Woltz 5:24

What to play next

Listen next

Double, Double You

1984

Go back to

Deer Wan

1978

Full Kenny Wheeler discography Artists like Kenny Wheeler

avant-garde jazz chamber jazz

Reference: Wikipedia · MusicBrainz · Wikidata