Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalIts recurring dance forms and chamber-folk instrumentation give the record a coherent, distinctive voice, while the waltz returns help shape its pacing.
What we noticed
- The track titles mark out recurring dance forms: waltzes appear at 3, 5, 9 and 13, with a minuet opening the sequence.
- The trio’s fiddle-led acoustic sound puts Norwegian folk dance phrasing in a chamber setting, with piano and bass supporting rather than crowding the melody.
- “Bachslått” brings a Baroque reference into the sequence; the final “Emanuelvals” returns to the waltz form heard earlier.
- Composition 25% of the score
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7/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Menuett 3:33
- 2 Drømmeland 3:58
- 3 Vals til Hans 4:04
- 4 Aurum 3:14
- 5 Vals i desember 4:54
- 6 Bachslått 5:08
- 7 Solbønn 4:06
- 8 Kjerkslått 4:07
- 9 Rosenkransvals 4:05
- 10 Dada 3:46
- 11 Brudemarsj 3:37
- 12 Dans 3:19
- 13 Emanuelvals 4:32
Reference: MusicBrainz · Wikidata
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