Bartók: Music for Strings, Percussion and Celesta / Hindemith: Sinfonie „Mathis der Maler“
Herbert von Karajan · 1988
55 min · 7 tracks · classical music
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalTwo sharply individual orchestral designs get a polished, forceful presentation; the pairing is coherent by scale and texture, though it lacks a strong overall arc.
What we noticed
- Bartók’s four movements trace an opening string fugue into a fast second movement, a hushed central Adagio with celesta and percussion, then a sharply driven finale.
- Hindemith’s three movements move from brass-led pageantry through a subdued funeral movement to a final span that builds toward a chorale.
- The album places two large-scale orchestral works back to back, with each work’s movements kept together rather than interleaved.
- Composition 25% of the score
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9/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
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8/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Music for Strings, Percussion and Celesta: I. Andante tranquillo 7:17
- 2 Music for Strings, Percussion and Celesta: II. Allegro 7:09
- 3 Music for Strings, Percussion and Celesta: III. Adagio 7:02
- 4 Music for Strings, Percussion and Celesta: IV. Allegro molto 6:49
- 5 Symphonie: „Mathis der Maler“: I. Engelskonzert 9:06
- 6 Symphonie: „Mathis der Maler“: II. Grablegung 4:41
- 7 Symphonie: „Mathis der Maler“: III. Versuchung des Heiligen Antonius 13:23
Reference: MusicBrainz
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