Because the Internet cover

Because the Internet

Donald Glover · 2013

58 min · 19 tracks · contemporary R&B

A genre-blurring exploration of identity and modern life layered over intricate production and sharp lyricism.

Top tracks — play these first

  • →
    3005 — This track encapsulates the album’s themes of loyalty and existential dread, featuring a catchy chorus that contrasts with its deeper lyrical content.
  • →
    The Worst Guys — With its laid-back vibe and playful lyrics, this track highlights Glover's ability to blend humor with introspection, embodying the album's duality.
  • →
    Telegraph Ave. (“Oakland” by Lloyd) — The song uniquely combines nostalgia with modern production, illustrating Glover’s narrative style while paying homage to personal connections and cultural roots.
  • →
    I. Flight of the Navigator — This track features an expansive soundscape that mirrors the theme of seeking escape and adventure, showcasing Glover’s ambition as an artist.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

61 /100
Treeline
Higher than 71% of albums we've rated

The album blends genres with a strong narrative but has some uneven pacing due to its length.

What we noticed

  • The album features a narrative structure, with interludes and skits that connect the tracks thematically.
  • Several tracks incorporate spoken word elements and unconventional song structures, often blending genres like hip-hop, R&B, and electronic.
  • The production employs intricate layering of sounds, with varied instrumentation that shifts between minimalist beats and lush arrangements.
Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
8/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
8/10

whether it sounds like itself

Sequencing 12% of the score
5/10

running order, pacing, length

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • introspective late-night reflections
  • dynamic emotional journeys
  • experimental and playful exploration
  • short bursts of creativity

Where this album fits

In the catalog
Breakthrough — This album solidified Glover's presence in music, marking his transition to a serious artist.
Themes
digital loneliness· Oakland nostalgia· modern identity crisis
Career context
Released on December 10, 2013, Because the Internet marked Donald Glover's transition from a rising star in television and comedy to a serious contender in music. This album followed his debut studio album, Camp (2011), and showcased his evolution as a multifaceted artist, further establishing his unique blend of humor and introspection.
Stylistic neighbors
Anderson .Paak· Thundercat· Frank Ocean

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 The Library (intro) 0:04
  • 2 I. Crawl 3:29
  • 3 II. Worldstar 4:04
  • 4 Dial Up 0:44
  • 5 I. The Worst Guys 3:39
  • 6 II. Shadows 3:51
  • 7 III. Telegraph Ave. (“Oakland” by Lloyd) 3:30
  • 8 IV. Sweatpants 3:00
  • 9 V. 3005 3:54
  • 10 Playing Around Before the Party Starts 0:54
  • 11 I. The Party 1:31
  • 12 II. No Exit 2:51
  • 13 Death by Numbers 0:43
  • 14 I. Flight of the Navigator 5:44
  • 15 II. Zealots of Stockholm (Free Information) 4:50
  • 16 III. Urn 1:13
  • 17 Pink Toes 3:27
  • 18 Earth: The Oldest Computer (The Last Night) 4:42
  • 19 Life: The Biggest Troll (Andrew Auernheimer) 5:42

Reference: Wikipedia · MusicBrainz · Wikidata