Because the Internet
Donald Glover · 2013
58 min · 19 tracks · contemporary R&B
A genre-blurring exploration of identity and modern life layered over intricate production and sharp lyricism.
Top tracks — play these first
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3005 — This track encapsulates the album’s themes of loyalty and existential dread, featuring a catchy chorus that contrasts with its deeper lyrical content.
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The Worst Guys — With its laid-back vibe and playful lyrics, this track highlights Glover's ability to blend humor with introspection, embodying the album's duality.
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Telegraph Ave. (“Oakland” by Lloyd) — The song uniquely combines nostalgia with modern production, illustrating Glover’s narrative style while paying homage to personal connections and cultural roots.
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I. Flight of the Navigator — This track features an expansive soundscape that mirrors the theme of seeking escape and adventure, showcasing Glover’s ambition as an artist.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album blends genres with a strong narrative but has some uneven pacing due to its length.
What we noticed
- The album features a narrative structure, with interludes and skits that connect the tracks thematically.
- Several tracks incorporate spoken word elements and unconventional song structures, often blending genres like hip-hop, R&B, and electronic.
- The production employs intricate layering of sounds, with varied instrumentation that shifts between minimalist beats and lush arrangements.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- introspective late-night reflections
- dynamic emotional journeys
- experimental and playful exploration
- short bursts of creativity
Where this album fits
- In the catalog
- Breakthrough — This album solidified Glover's presence in music, marking his transition to a serious artist.
- Themes
- digital loneliness· Oakland nostalgia· modern identity crisis
- Career context
- Released on December 10, 2013, Because the Internet marked Donald Glover's transition from a rising star in television and comedy to a serious contender in music. This album followed his debut studio album, Camp (2011), and showcased his evolution as a multifaceted artist, further establishing his unique blend of humor and introspection.
- Stylistic neighbors
- Anderson .Paak· Thundercat· Frank Ocean
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 The Library (intro) 0:04
- 2 I. Crawl 3:29
- 3 II. Worldstar 4:04
- 4 Dial Up 0:44
- 5 I. The Worst Guys 3:39
- 6 II. Shadows 3:51
- 7 III. Telegraph Ave. (“Oakland” by Lloyd) 3:30
- 8 IV. Sweatpants 3:00
- 9 V. 3005 3:54
- 10 Playing Around Before the Party Starts 0:54
- 11 I. The Party 1:31
- 12 II. No Exit 2:51
- 13 Death by Numbers 0:43
- 14 I. Flight of the Navigator 5:44
- 15 II. Zealots of Stockholm (Free Information) 4:50
- 16 III. Urn 1:13
- 17 Pink Toes 3:27
- 18 Earth: The Oldest Computer (The Last Night) 4:42
- 19 Life: The Biggest Troll (Andrew Auernheimer) 5:42
If this landed
Records by other artists that run on the same instinct.
Blonde
Frank Ocean
Explores identity and relationships with complex production and introspective lyrics, much like Glover's work.
Good Kid, M.A.A.D City
Kendrick Lamar
Shares a narrative-driven approach to modern life and identity, layered over intricate beats.
The ArchAndroid
Janelle Monáe
Combines genre-blurring sounds and themes of identity and self-discovery in a polished production style.
Reference: Wikipedia · MusicBrainz · Wikidata
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