Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album presents solid jazz compositions with effective improvisation but lacks standout originality.
What we noticed
- The album features a consistent use of blues progressions across all six tracks, creating a cohesive thematic experience.
- Each track showcases extended improvisation, with Stitt's saxophone taking the lead while the rhythm section maintains a steady groove.
- The first track opens with a lively tempo that gradually shifts to more relaxed tempos in subsequent pieces, particularly evident in 'Blues For Duke'.
- Composition 25% of the score
-
6/10
- Craft 20% of the score
-
7/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
5/10
- Sequencing 12% of the score
-
8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- swinging grooves for social settings
- smooth melodies for relaxed evenings
- patient explorations of classic themes
- nostalgic tunes that evoke memories
Maybe skip if you
- prefer fast-paced, energetic tracks
- want lyrics and vocal storytelling
Where this album fits
- Stylistic neighbors
- Charlie Parker· John Coltrane· Ornette Coleman
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 C.Jam Blues 6:07
- 2 I Got It Bad and That Ain't Good 7:58
- 3 Perdido 4:45
- 4 Blues For Duke 6:59
- 5 Don't Get Around Much Anymore 3:45
- 6 Satin Doll 7:43
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.