Released 8 years ago this November
Bought to Rot
Laura Jane Grace & The Devouring Mothers · 2018
38 min · 14 tracks
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album combines energetic punk elements with personal lyrics, though its cohesion suffers from uneven pacing.
What we noticed
- The album opens with a driving punk rhythm in 'China Beach' and maintains a high energy level through the first half.
- Several tracks feature abrupt tempo changes, such as 'Reality Bites' which shifts from a mid-tempo groove to a faster pace.
- The lyrics often reflect personal and political themes, with songs like 'I Hate Chicago' using sharp imagery and humor.
- The final track, 'The Apology Song', features a stripped-down arrangement that contrasts with the more energetic earlier songs.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
6/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
7/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 China Beach 2:05
- 2 Born in Black 3:11
- 3 The Airplane Song 2:30
- 4 Apocalypse Now (& Later) 2:15
- 5 Reality Bites 2:11
- 6 Amsterdam Hotel Room 2:08
- 7 The Friendship Song 3:04
- 8 I Hate Chicago 3:04
- 9 Screamy Dreamy 2:06
- 10 Manic Depression 3:49
- 11 The Acid Test Song 3:07
- 12 The Hotel Song 2:49
- 13 Valeria Golino 3:15
- 14 The Apology Song 2:55
Reference: Wikipedia · MusicBrainz · Wikidata
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