Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The songs turn sharply observed genre and social parody into memorable forms, though the succession of comic pastiches makes the album feel more like a set of sketches than a tigh…
What we noticed
- The opening run moves from vampire-themed rap to a Mano Negra pastiche, then to the bourgeois-schoolyard rap of “Auteuil Neuilly Passy.”
- Several tracks build their jokes through sustained musical impersonation; “Un chagrin d’amour” frames a melodramatic duet, while “Le Hit des hits” strings together French-song styles.
- The final track is an instrumental reprise of “Auteuil Neuilly Passy,” extending the album after its sequence of vocal comedy songs.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Rap‐tout (Vampire) 4:01
- 2 La Mano Verda (Negra Bouch’beat - C’est toi que je t’aime) 2:24
- 3 Auteuil Neuilly Passy (rap B.C.B.G.) 3:28
- 4 Isabelle (a les yeux bleus) 3:09
- 5 C’est ton destin 3:44
- 6 Florent Brunel 3:16
- 7 Rap shit 2:44
- 8 Un chagrin d’amour (Didier Barbelavie et Félix Grave) 3:08
- 9 La Chanson de Biouman 1:13
- 10 Le Hit des hits (Les Chansons françaises) 9:40
- 11 Auteuil Neuilly Passy (instrumental) 3:38
Reference: MusicBrainz · Wikidata
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