Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Strong melodic writing and a consistent guitar-led sound give the album shape; its familiar pop framework limits its distinctiveness, but the songs hold up on return.
What we noticed
- “Cien gaviotas” opens with a brisk, ringing guitar pattern and a direct vocal melody; the record closes with “Esos ojos negros,” returning to a more measured pace.
- The middle run from “Reina de África” through “Los llantos de la ciudad” keeps the guitar-led framework while shifting between buoyant songs and darker, slower turns.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
7/10
- Durability 25% of the score
-
7/10
- Distinctiveness 18% of the score
-
6/10
- Sequencing 12% of the score
-
7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Cien gaviotas 2:50
- 2 Sangre azul 2:38
- 3 No puedo evitar (pensar en ti) 3:25
- 4 Esperaré a que se esconda el sol 3:00
- 5 Jardín de rosas 2:23
- 6 Reina de África 2:52
- 7 Cuando murió la luz 2:03
- 8 Revolución 2:47
- 9 Sueño escocés 3:32
- 10 Los llantos de la ciudad 2:39
- 11 La vieja escuela 3:12
- 12 Esos ojos negros 3:34
Reference: MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.