Civil Disobedience
Leæther Strip · 2008
141 min · 22 tracks · electro-industrial
A blend of aggressive beats and dark, brooding synths that reflects the turmoil of contemporary society.
Top tracks — play these first
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Civil Disobedience — The title track sets the tone for the album with its heavy beats and confrontational lyrics, encapsulating the spirit of rebellion that threads throughout the project.
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When Blood Runs Dark — This track showcases Leæther Strip's ability to blend melodic elements with harsh industrial sounds, creating a haunting atmosphere that exemplifies their musical style.
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I Wear Black on the Inside — With its introspective lyrics and dynamic production, this song dives into themes of identity and personal struggle, representing a poignant moment on the album.
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The Devil's Daughter — The track is notable for its dark narrative and complex layering of sounds, highlighting the band's storytelling prowess within a captivating sonic landscape.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album combines aggressive beats with dark synths, creating a distinctive sound within its genre.
What we noticed
- The first half of the album maintains a relentless tempo with aggressive beats, while the second half introduces more varied pacing and atmospheric elements.
- Many tracks feature layered synths that create a dense soundscape, often contrasting harsh vocals with melodic undertones.
- Several songs incorporate samples and spoken word segments, adding to the thematic depth and narrative quality of the album.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- dark pulsating rhythms for intensity
- explorative listening for societal themes
- long-form tracks for deep immersion
- brooding atmosphere for introspection
- cathartic energy release at volume
Maybe skip if you
- seeking upbeat or cheerful sounds
- prefer short, standalone tracks
Where this album fits
- In the catalog
- Deep Cut — A mid-career entry in Leæther Strip’s post-hiatus run, extending its electro-industrial sound without defining a new ...
- Career context
- Released on January 1, 2008, 'Civil Disobedience' represents Leæther Strip's continued evolution in the electro-industrial genre. This album arrived after their notable 2006 release 'The Dark Side of the Spoon', marking a period where they solidified their presence in the underground music scene while maintaining a loyal fanbase.
- Stylistic neighbors
- Front Line Assembly· Skinny Puppy· KMFDM
Moments worth listening for
Where the writing does something specific.
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Going Nowhere
A verse shifts perspective to directly address feelings of stagnation and frustration in life, using sharp imagery to convey despair.
Tracklist
Best experienced from track one — press play and let it unfold.
Disc 1
- 1 Civil Disobedience 5:38
- 2 The Damaged People 6:18
- 3 When Blood Runs Dark 6:53
- 4 Bite Until You Taste Blood 6:27
- 5 Jagtvej 69 7:26
- 6 Going Nowhere 5:22
- 7 I Said I'm Sorry 5:43
- 8 Pissing on My Territory 4:43
- 9 It Hurts Doesn't It 6:29
- 10 One Day 6:14
- 11 The Devil's Daughter 8:13
Disc 2
- 1 A Whore for Jesus 5:21
- 2 I Wear Black on the Inside 6:48
- 3 Machineries of Joy 6:00
- 4 Snakebite 7:16
- 5 Soul Collector 6:22
- 6 Could Ya Did Ya 5:09
- 7 In the Arms of a Demon 7:04
- 8 One More Reason 5:38
- 9 The Cradle of Death 7:53
- 10 Stains 8:22
- 11 The Evil in Putin's Eyes 6:18
What to play next
Ængelmaker
2009
Carry the dark, forceful industrial energy forward while exploring a later turn in the catalog.
The Pleasure of Reproduction
2007
Its place in the same late-2000s stretch makes it a natural lead-in to this brooding, hard-edged sound.
Reference: Wikipedia · MusicBrainz · Wikidata
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