Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

67 /100
Treeline
Higher than 46% of albums we've rated

Brecelj's eccentric, word-led songwriting gives the record a personal character; the expanded track listing makes its pacing less certain.

What we noticed

  • The first twelve catalogued titles form the likely original sequence; the last four may be later additions, so the 16-track listing should not automatically define the album's pacing.
  • The song titles move between Slovenian and Italian, while the album's singer-songwriter frame leaves the words and delivery at the center.
  • Alojz valček explicitly signals a waltz turn within a sequence otherwise presented as individual songs rather than a continuous suite.
Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
6/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
7/10

whether it sounds like itself

Sequencing 12% of the score
6/10

running order, pacing, length

Influence 5/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Same prave stvari 4:15
  • 2 Črni Peter 4:27
  • 3 Škandal v rdečem baru 4:32
  • 4 Hiškar rogač 4:12
  • 5 Požar 3:55
  • 6 Duša in jaz 3:24
  • 7 Alojz valček 3:48
  • 8 Časopis 4:04
  • 9 Gozd 3:55
  • 10 Rastemo 3:18
  • 11 Tri ženske 4:29
  • 12 Cavallo da corsa 2:41
  • 13 Stonesi spoznajo moje stare starše 5:02
  • 14 Parada 2:31
  • 15 Majmuni 1:20
  • 16 Trotoari 1:15

Reference: MusicBrainz · Wikidata