What makes Come What(ever) May by Stone Sour notable?

'Come What(ever) May' debuted at number 4 on the Billboard 200 and was certified Gold by the RIAA, demonstrating its commercial success. The album also received positive critical acclaim, with notable praise for tracks like 'Through Glass,' which became a radio hit and helped define the band's sound during the mid-2000s. Released on August 1, 2006, 'Come What(ever) May' was Stone Sour's second studio album, following their self-titled debut in 2002. At this point in their career, the band had gained significant attention, especially after lead vocalist Corey Taylor's prominence with Slipknot. This album solidified their identity as a distinct entity in the rock scene while showcasing growth in songwriting and production.

Who is Come What(ever) May for?

Come What(ever) May works well if you're into steady mid-tempo reflective moments, pensive themes for quiet introspection and dynamic shifts between aggression and.

How many songs are on Come What(ever) May?

Come What(ever) May has 12 tracks, running approximately 49 minutes.

Released 20 years ago

Come What(ever) May

Stone Sour · 2006

49 min · 12 tracks · alternative rock · hard rock · alternative metal

A dynamic blend of hard-hitting riffs and introspective lyrics, merging alternative metal with post-grunge sensibilities.

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Is this for you?

Good fit if you like

steady mid-tempo reflective moments
pensive themes for quiet introspection
dynamic shifts between aggression and
thoughtful lyrics for deep listening

Maybe skip if you want

seekers of instant gratification
prefer upbeat party vibes

Where this album fits

Career context: Released on August 1, 2006, 'Come What(ever) May' was Stone Sour's second studio album, following their self-titled debut in 2002. At this point in their career, the band had gained significant attention, especially after lead vocalist Corey Taylor's prominence with Slipknot. This album solidified their identity as a distinct entity in the rock scene while showcasing growth in songwriting and production.
Stylistic neighbors: Breaking Benjamin· Shinedown· Three Days Grace