Commonwealth
Sloan · 2014
58 min · 15 tracks · alternative rock
A kaleidoscopic blend of catchy melodies and diverse influences, reflecting the band's playful yet introspective songwriting approach.
Top tracks — play these first
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Three Sisters — This track serves as a quintessential example of Sloan's knack for storytelling through music, weaving together personal narratives with vibrant instrumentation that captures an intimate yet expansive feel.
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You Don’t Need Excuses to Be Good — With its upbeat tempo and infectious chorus, this song encapsulates the album's overall theme of self-acceptance and authenticity, making it a standout anthem.
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Forty‐Eight Portraits — As an ambitious closing track, this nearly eighteen-minute piece showcases the band's experimental side, featuring shifting tempos and a collage of musical ideas that reflect their evolution.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album showcases varied songwriting and strong performances but lacks a cohesive flow throughout its length.
What we noticed
- The album features a unique structure where each of the four band members contributes lead vocals on different tracks, creating distinct sonic flavors.
- Several tracks incorporate unexpected tempo shifts, such as 'Three Sisters' which transitions from a laid-back groove to an upbeat chorus.
- The lyrics across the album often employ vivid imagery and personal reflections, particularly evident in 'You Don’t Need Excuses to Be Good'.
- The final track, 'Forty‐Eight Portraits', is notably longer than the others, allowing for an expansive instrumental outro that contrasts with the preceding songs.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- short bursts of lyrical insight
- playful melodies for casual listening
- reflective moments amidst energetic tracks
- for afternoon road trips
Maybe skip if you
- prefer lengthy, immersive experiences
- seek heavy, intense emotional weight
Where this album fits
- Career context
- Commonwealth is Sloan's ninth studio album, released during a period of artistic continuity after their 2011 album The Double Cross. At this point, the band had established themselves as stalwarts of Canadian rock, consistently delivering well-crafted power pop. The release showcases their ability to experiment with different musical styles while maintaining their signature sound.
- Stylistic neighbors
- Big Star· The Posies· Matthew Sweet
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 We’ve Come This Far 1:23
- 2 You’ve Got a Lot on Your Mind 3:27
- 3 Three Sisters 3:49
- 4 Cleopatra 2:41
- 5 Neither Here nor There 2:11
- 6 Carried Away 3:36
- 7 So Far So Good 3:13
- 8 Get Out 1:40
- 9 Misty’s Beside Herself 2:49
- 10 You Don’t Need Excuses to Be Good 3:42
- 11 13 (Under a Bad Sign) 2:00
- 12 Take It Easy 2:32
- 13 What’s Inside 3:52
- 14 Keep Swinging (Downtown) 3:38
- 15 Forty‐Eight Portraits 17:49
Reference: Wikipedia · MusicBrainz · Wikidata
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