D-Sides
Gorillaz · 2007
117 min · 22 tracks · alternative rock
An eclectic blend of remixes and unreleased tracks that showcase Gorillaz's innovative sound across genres from hip-hop to art pop.
Top tracks — play these first
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68 State Start here — establishes the sonic palette early
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Dare (DFA remix) — This remix transformed the original track into a dance anthem, showcasing Gorillaz's ability to blend genres while appealing to club audiences.
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Feel Good Inc. (Stanton Warriors remix) — This version reinterprets the hit single with a fresh electronic vibe, emphasizing its catchy hooks and reinforcing its status as a modern classic.
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Kids With Guns (Jamie T’s Turns to Monsters mix) — This remix adds an energetic twist to the original, blending punk influences with hip-hop elements, reflecting Gorillaz's genre-defying style.
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We Are Happy Landfill — With its satirical commentary on consumerism set against upbeat instrumentation, this track encapsulates Gorillaz's playful yet critical approach to social themes.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
D-Sides presents a varied collection that reflects Gorillaz's eclectic style but lacks strong cohesion as a standalone album.
What we noticed
- Several tracks feature spoken word elements or unconventional song structures, deviating from traditional verse-chorus formats.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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6/10
- Sequencing 12% of the score
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4/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- kaleidoscopic sound explorations
- dynamic remixes for varied moods
- wave-like pacing with surprises
- for adventurous listening
- collaborative spirit of discovery
Maybe skip if you
- prefer straightforward song formats
- need instant gratification tracks
Where this album fits
- In the catalog
- Deep Cut — A compilation of B-sides and remixes, appealing to dedicated fans but not a primary entry point.
- Themes
- club-ready remixes· collaborative creativity
- Moods
- Dreamy· Introspective
- Career context
- At the time of D-Sides' release in November 2007, Gorillaz were enjoying mainstream success following their critically acclaimed second album, Demon Days. This compilation offered fans a glimpse into the band's creative process, featuring alternative versions and remixes of songs, while also highlighting their collaboration with various artists and producers.
- Stylistic neighbors
- Blur· Beastie Boys· Massive Attack
Tracklist
Disc 1
- 1 68 State Start here 4:48
- 2 People 3:27
- 3 Hongkongaton 3:33
- 4 We Are Happy Landfill 3:39
- 5 Hong Kong 7:14
- 6 Highway (Under Construction) 4:20
- 7 Rockit 3:33
- 8 Bill Murray 3:52
- 9 The Swagga 4:57
- 10 Murdoc Is God 2:26
- 11 Spitting Out the Demons 5:10
- 12 Don’t Get Lost in Heaven (original demo version) 2:29
- 13 Stop the Dams 5:38
Disc 2
- 1 Dare (DFA remix) 12:14
- 2 Feel Good Inc. (Stanton Warriors remix) 7:24
- 3 Kids With Guns (Jamie T’s Turns to Monsters mix) 4:22
- 4 Dare (Soulwax remix) 5:42
- 5 Kids With Guns (Hot Chip remix) 7:09
- 6 El mañana (Metronomy remix) 5:44
- 7 Dare (Junior Sanchez remix) 5:26
- 8 Dirty Harry (Schtung Chinese New Year remix) 3:53
- 9 Kids With Guns (Quiet Village remix) 10:08
If this landed
Records by other artists that run on the same instinct.
The In Sound from Way Out!
Beastie Boys
Shares a playful mix of genres and eclectic soundscapes, blending hip-hop with instrumental experimentation.
Saturdays = Youth
M83
Captures a similar kaleidoscopic atmosphere with lush synths and nostalgia-infused melodies.
Since I Left You
The Avalanches
Combines diverse samples and collaborations to create a vibrant, genre-blurring sonic tapestry.
Reference: Wikipedia · MusicBrainz · Wikidata
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