Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Morricone’s orchestral writing gives the songs a distinctive cinematic frame, while their recurring dramatic pacing keeps the album cohesive more than surprising.
What we noticed
- Milva sings over orchestral arrangements; sustained strings and swelling ensemble passages carry the movement rather than a steady small-combo jazz groove.
- The sequence opens with “La califfa” and includes “Metti una sera a cena” and “Chi mai,” placing film-associated themes among the vocal songs.
- The arrangements give the voice measured, dramatic phrases, with instrumental swells filling the spaces between vocal lines.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
7/10
- Sequencing 12% of the score
-
7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 La califfa 2:42
- 2 Ridevi 3:30
- 3 Chi mai 3:27
- 4 Immagini del tempo 4:00
- 5 Metti una sera a cena 4:25
- 6 Viaggio senza bagagli 2:48
- 7 D’amore si muore 3:50
- 8 Canzone della libertà 2:55
- 9 Mia madre si chiama Francesca 3:00
- 10 Dio, uno di noi 4:10
- 11 Questa specie d’amore 3:21
- 12 Se ci sarà 4:00
Reference: MusicBrainz · Wikidata
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