What makes Either/Or by Elliott Smith notable?

Either/Or received widespread critical acclaim, often cited as one of Smith's best works and a defining album of '90s indie music. Its profound lyrical content influenced a generation of singer-songwriters, while the standout track 'Between the Bars' gained further recognition through its inclusion in the film Good Will Hunting, contributing to its cult status. Released on February 25, 1997, Either/Or was Elliott Smith's third studio album, following his critically acclaimed self-titled release. At this point in his career, Smith was transitioning from indie obscurity to wider recognition, establishing himself as a poignant voice in the burgeoning indie rock scene of the late '90s.

Who is Either/Or for?

Either/Or works well if you're into steady, consistent energy levels, late-night contemplative moods and introspective emotional journeys.

How many songs are on Either/Or?

Either/Or has 12 tracks, running approximately 36 minutes.

Either/Or

Elliott Smith · 1997

36 min · 12 tracks · indie pop

Intimate, confessional melodies intertwine with stark, melancholic lyrics, creating a haunting atmosphere of introspection and vulnerability.

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Top tracks — play these first

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Between the Bars — This track showcases Smith's signature blend of haunting melodies and heart-wrenching lyrics, encapsulating themes of longing and escapism.
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Angeles — With its intricate guitar work and poignant storytelling, this song exemplifies Smith’s ability to convey complex emotions through simplicity.
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Say Yes — This closing track resonates with a sense of acceptance and vulnerability, highlighting Smith's unique lyrical perspective on love and commitment.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

72 /100

Alpine

Higher than 95% of albums we've rated

The album's intimate songwriting and dynamic contrasts create a haunting yet engaging experience.

What we noticed

The first half of the album features a consistent use of fingerpicked guitar patterns, while the second half introduces more varied instrumentation, including strings and piano.
Many tracks employ a soft vocal delivery that contrasts with the often heavy lyrical themes, creating a sense of emotional tension.
Several songs feature abrupt transitions in dynamics, such as 'Between the Bars', which shifts from quiet verses to a more expansive chorus.

Composition 25% of the score: 8/10
Craft 20% of the score: 7/10
Durability 25% of the score: 8/10
Distinctiveness 18% of the score: 8/10
Sequencing 12% of the score: 7/10

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

steady, consistent energy levels
late-night contemplative moods
introspective emotional journeys
short, immersive listening sessions

Where this album fits

Career context: Released on February 25, 1997, Either/Or was Elliott Smith's third studio album, following his critically acclaimed self-titled release. At this point in his career, Smith was transitioning from indie obscurity to wider recognition, establishing himself as a poignant voice in the burgeoning indie rock scene of the late '90s.
Stylistic neighbors: Nick Drake· Sufjan Stevens· Iron & Wine