Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Its dance-first writing is direct and repetitive, with “La Bomba” giving the album a clear identity; the core sequence holds together, but offers limited depth on repeat plays.
What we noticed
- “La Bomba” is placed tenth, after “Lágrimas negras,” so the album holds its most immediately dance-oriented track back rather than opening with it.
- The catalogued sequence ends with an unplugged “Loco,” an unplugged “Sapo,” and two “La bomba” versions; these appear to be additions beyond the core twelve tracks.
- “La Bomba” runs on a brisk dance pulse and a repeated vocal hook, prioritizing rhythmic repetition over extended instrumental development.
- Composition 25% of the score
-
5/10
- Craft 20% of the score
-
6/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
-
6/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Loco 4:08
- 2 Celulitis 2:59
- 3 Dominao 2:53
- 4 La puntita 3:57
- 5 Mentirosa 3:07
- 6 Mujeres 4:45
- 7 Sapo 2:11
- 8 Negra 3:40
- 9 Lagrimas negras 2:40
- 10 La bomba 2:04
- 11 Loca 4:06
- 12 El canto de las aves 4:07
- 13 I Believe in You 3:33
- 14 Loco (unplugged) 0:20
- 15 Sapo (unplugged) 0:06
- 16 La bomba (Carribean Funk mix) 3:34
- 17 La bomba (Bomba Radio edit) 3:17
Reference: MusicBrainz · Wikidata
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