Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Strong songs and Regina’s commanding performances hold up, but the catalog-spanning selection has little sequencing arc and no distinct identity as a standalone work.
What we noticed
- The sequence moves from the group-vocal refrain of “Credo” into the more rhythmically clipped “Dinorah, Dinorah,” then slows for the dramatic sway of “Joanna Francesa.”
- The eleven tracks bring together songs from different periods of Regina’s catalog, so the order works as a selection of performances rather than a continuous album-length arc.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
4/10
- Sequencing 12% of the score
-
4/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Noves fora 2:16
- 2 Violeta de Belford Roxo 2:30
- 3 Ou bola ou búlica 2:27
- 4 Credo 2:11
- 5 Dinorah, Dinorah 3:14
- 6 Joanna Francesa 3:08
- 7 Bodas de prata 2:33
- 8 Entrudo 2:42
- 9 Valsa rancho 4:21
- 10 Bonita 2:41
- 11 Deixa o mundo e o sol entrar 3:25
Reference: MusicBrainz · Wikidata
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