Femina
John Zorn · 2009
35 min · 4 tracks · avant-garde jazz
A challenging blend of avant-garde jazz and contemporary classical, creating a cinematic soundscape that defies conventional structure.
Top tracks — play these first
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Femina, Part One — The opening piece sets a profound tone with its intricate layering of sounds, illustrating Zorn's ability to merge improvisation with structured composition.
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Femina, Part Two — This track deepens the exploration of themes introduced in Part One, featuring dynamic contrasts that highlight both tension and resolution.
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Femina, End Titles — Concluding the suite, this brief track encapsulates the emotional journey of the album, providing a reflective closure that resonates long after listening.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album's immersive structure and innovative instrumentation create a unique listening experience.
What we noticed
- Each of the four tracks is structured as a continuous piece, with no clear breaks between them, creating an immersive experience.
- The instrumentation varies significantly throughout, featuring strings, woodwinds, and percussion that shift in prominence and texture.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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9/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Where this album fits
- In the catalog
- Experimental — Features a challenging blend of avant-garde jazz and contemporary classical, diverging from prior styles.
- Career context
- By 2009, John Zorn was already an established figure in avant-garde music, with 'Femina' marking his continued exploration of female archetypes in art. This album followed the notable 'The Dreamers' (2008) and further solidified his reputation for blending genres while showcasing his unique compositional style.
- Stylistic neighbors
- Mike Patton· The Thing· Merzbow
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Femina, Part One 11:42
- 2 Femina, Part Two 10:11
- 3 Femina, Part Three 10:15
- 4 Femina, End Titles 3:16
Reference: Wikipedia · MusicBrainz · Wikidata
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