Femina cover

Femina

John Zorn · 2009

35 min · 4 tracks · avant-garde jazz

A challenging blend of avant-garde jazz and contemporary classical, creating a cinematic soundscape that defies conventional structure.

Top tracks — play these first

  • →
    Femina, Part One — The opening piece sets a profound tone with its intricate layering of sounds, illustrating Zorn's ability to merge improvisation with structured composition.
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    Femina, Part Two — This track deepens the exploration of themes introduced in Part One, featuring dynamic contrasts that highlight both tension and resolution.
  • →
    Femina, End Titles — Concluding the suite, this brief track encapsulates the emotional journey of the album, providing a reflective closure that resonates long after listening.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental
68 /100
Alpine
Higher than 93% of albums we've rated

The album's immersive structure and innovative instrumentation create a unique listening experience.

What we noticed

  • Each of the four tracks is structured as a continuous piece, with no clear breaks between them, creating an immersive experience.
  • The instrumentation varies significantly throughout, featuring strings, woodwinds, and percussion that shift in prominence and texture.
Composition 25% of the score
8/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
7/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
8/10

whether it sounds like itself

Sequencing 12% of the score
9/10

running order, pacing, length

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Where this album fits

In the catalog
Experimental — Features a challenging blend of avant-garde jazz and contemporary classical, diverging from prior styles.
Career context
By 2009, John Zorn was already an established figure in avant-garde music, with 'Femina' marking his continued exploration of female archetypes in art. This album followed the notable 'The Dreamers' (2008) and further solidified his reputation for blending genres while showcasing his unique compositional style.
Stylistic neighbors
Mike Patton· The Thing· Merzbow

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Femina, Part One 11:42
  • 2 Femina, Part Two 10:11
  • 3 Femina, Part Three 10:15
  • 4 Femina, End Titles 3:16

Reference: Wikipedia · MusicBrainz · Wikidata