Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

67 /100
Treeline
Higher than 46% of albums we've rated

Strong, memorable songs and assured performances make the collection rewarding, but its chronological singles sequence gives it less of an album-length shape or identity.

What we noticed

  • The 18 tracks run broadly in release order, from the early singles at the front to later songs such as “荒野はるかに” and “サンダーロード” at the end.
  • The sequence alternates quick punk charges with more measured singalong songs; “日曜日よりの使者” arrives late, before the final two tracks.
  • The tracklist gathers songs from across the band's career rather than building toward a new final section or recurring musical theme.
Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
7/10

production, performance, arrangement

Durability 25% of the score
7/10

whether it rewards returning to it

Distinctiveness 18% of the score
5/10

whether it sounds like itself

Sequencing 12% of the score
5/10

running order, pacing, length

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 ミサイルマン 3:54
  • 2 スーパーソニックジェットボーイ 4:23
  • 3 胸がドキドキ 4:24
  • 4 相談天国 4:11
  • 5 ロッキンチェアー 3:29
  • 6 月光陽光 4:35
  • 7 千年メダル 4:47
  • 8 ローリング・ジェット・サンダー 2:17
  • 9 罪と罰 3:17
  • 10 ハスキー(欲望という名の戦車) 3:04
  • 11 青春 3:11
  • 12 十四才 6:14
  • 13 いかすぜOK 4:46
  • 14 Too Late To Die 3:07
  • 15 夏なんだな 2:59
  • 16 日曜日よりの使者 6:14
  • 17 荒野はるかに 4:20
  • 18 サンダーロード 3:30

Reference: MusicBrainz · Wikidata