Flush the Fashion
Alice Cooper · 1980
28 min · 10 tracks · hard rock
A blend of new wave and hard rock, showcasing a theatrical edge with biting social commentary.
Top tracks — play these first
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Clones (We’re All) Start here — This track stands out for its catchy chorus and satirical take on conformity, encapsulating the album's exploration of identity amidst societal pressures.
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Model Citizen — With its sharp lyrics and infectious beat, this song critiques societal expectations and superficiality, emblematic of Cooper's lyrical prowess during this era.
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Dance Yourself to Death — This track combines danceable rhythms with a darkly humorous message about escapism, reflecting Cooper's unique approach to addressing serious themes through upbeat music.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album blends new wave and hard rock effectively, showcasing Alice Cooper's adaptability while maintaining his theatrical edge.
What we noticed
- The first half of the album maintains a consistent mid-tempo pace, while the second half introduces more varied rhythms and dynamics.
- Several tracks feature prominent synthesizer lines that contrast with traditional hard rock guitar riffs, creating a hybrid sound.
- The lyrics often employ sharp social commentary, with a theatrical delivery that aligns with Cooper's established persona.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- brief energetic bursts of fun
- quirky themes and absurdity
- for upbeat gatherings
- quick-paced tracks for focus
Maybe skip if you
- prefer longer, immersive albums
- seek deep emotional introspection
Where this album fits
- In the catalog
- Experimental — Represents a shift in sound towards new wave, differing from earlier hard rock styles.
- Themes
- societal conformity· modern absurdity· theatrical critique
- Career context
- Flush the Fashion marked Alice Cooper's transition into the 1980s, following his commercial success in the 1970s with albums like Billion Dollar Babies. This release represented a shift towards a more new wave sound, as Cooper experimented with contemporary musical styles while maintaining his signature shock rock theatrics.
- Stylistic neighbors
- David Bowie· Kiss· Queen
Tracklist
- 1 Talk Talk 2:09
- 2 Clones (We’re All) Start here 3:03
- 3 Pain 4:06
- 4 Leather Boots 1:36
- 5 Aspirin Damage 2:57
- 6 Nuclear Infected 2:14
- 7 Grim Facts 3:24
- 8 Model Citizen 2:39
- 9 Dance Yourself to Death 3:08
- 10 Headlines 3:18
If this landed
Records by other artists that run on the same instinct.
Scary Monsters (and Super Creeps)
David Bowie
Shares theatrical critique and absurdity, with a blend of new wave and rock elements.
Candy-O
The Cars
Combines new wave vibes with rock energy, capturing modern life’s absurdity.
Remain in Light
Talking Heads
Explores societal themes with a fusion of funk, rock, and avant-garde influences.
Reference: Wikipedia · MusicBrainz · Wikidata
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