What makes Four Altos by Phil Woods notable?

Four Altos is notable for its innovative use of four alto saxophones, which created a distinct sound that resonated within the jazz community. The album received positive critical acclaim, helping to solidify Woods' reputation as a leading figure in jazz during the late 1950s. Released in 1957, Four Altos marked Phil Woods' first major recording as a bandleader, following his work as a sideman for various prominent jazz figures. At this point, Woods was establishing his unique voice within the jazz scene, transitioning from collaborative projects to showcasing his artistry and musical direction.

Who is Four Altos for?

Four Altos works well if you're into steady pacing with intricate harmonies, gradual build leading to resolution and thoughtful listening for saxophone lovers.

How many songs are on Four Altos?

Four Altos has 6 tracks, running approximately 38 minutes.

Four Altos

Phil Woods · 1957

38 min · 6 tracks · jazz

A vibrant showcase of intricate saxophone harmonies interwoven with rich improvisational flair that defines the essence of jazz.

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Top tracks — play these first

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Kokochee — This track features intricate interplay between the saxophonists, highlighting their ability to blend harmoniously while also allowing space for individual expression.
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No More Nights — The song's emotional depth is enhanced by its lyrical melody and complex arrangements, showcasing Woods' compositional skills alongside his performance.
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Don't Blame Me — This rendition stands out due to its engaging rhythm and playful interpretation, offering a fresh take on a classic standard while demonstrating technical prowess.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental

63 /100

Treeline

Higher than 74% of albums we've rated

The album showcases intricate saxophone harmonies and strong improvisation, establishing Woods' distinct voice in jazz.

What we noticed

The album features intricate arrangements for four alto saxophones, creating a rich tapestry of harmonies throughout each track.
Improvisation is a key element, with each saxophonist taking turns in extended solos that showcase their individual styles.
The tempo varies significantly across the tracks, with some pieces maintaining a brisk pace while others slow down to allow for more expressive playing.

Composition 25% of the score: 8/10
Craft 20% of the score: 7/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 8/10
Sequencing 12% of the score: 6/10

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

steady pacing with intricate harmonies
gradual build leading to resolution
thoughtful listening for saxophone lovers
immersive detail in every track

Maybe skip if you

seekers of instant gratification
prefer standalone tracks over cohesion

Where this album fits

Career context: Released in 1957, Four Altos marked Phil Woods' first major recording as a bandleader, following his work as a sideman for various prominent jazz figures. At this point, Woods was establishing his unique voice within the jazz scene, transitioning from collaborative projects to showcasing his artistry and musical direction.
Stylistic neighbors: Art Pepper· Stan Getz· Charlie Parker