Get Up Sex Machine
James Brown · 1970
18 min · 4 tracks · blues
A relentless groove fuels vibrant brass and rhythmic vocals, capturing the raw energy of funk at its peak.
Top tracks — play these first
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Get Up (I Feel Like Being a) Sex Machine (live) — The live version captures the electrifying atmosphere of Brown's performances, highlighting his ability to engage audiences with infectious rhythms and call-and-response elements.
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Think — This track features a powerful blend of soulful melodies and sharp horns, illustrating Brown's mastery in crafting songs that resonate both musically and lyrically.
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I Got You (I Feel Good) — An enduring classic, this song exemplifies Brown's signature sound and has become synonymous with joy and celebration, showcasing his unparalleled vocal style.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
This single captures the essence of funk with its infectious grooves and innovative arrangements.
What we noticed
- The title track features a call-and-response structure between Brown's vocals and the band, creating an interactive feel.
- The live version of the title track showcases extended instrumental solos, emphasizing the improvisational nature of funk.
- The brass section maintains a consistent, driving rhythm throughout the tracks, reinforcing the groove.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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9/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Defined its genre or moment. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Where this album fits
- In the catalog
- Breakthrough — The title track became a defining anthem for funk, solidifying Brown's influence.
- Themes
- dancefloor revolution· funky grooves· soulful empowerment
- Career context
- By 1970, James Brown was already a towering figure in music, known as the 'Godfather of Soul.' 'Get Up Sex Machine' followed his influential 1969 album 'The Popcorn,' further establishing him as a pioneer of funk and solidifying his impact on popular music's evolution.
- Stylistic neighbors
- Prince· Sly and the Family Stone· Parliament-Funkadelic
Moments worth listening for
Where the writing does something specific.
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Get Up (I Feel Like Being a) Sex Machine (live)
Brown shifts from commanding the audience with rhythmic chants to moments of playful improvisation that elevate the crowd's energy.
This dynamic interplay not only showcases Brown's charismatic stage presence but also emphasizes the communal experience of funk music.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Get Up (I Feel Like Being a) Sex Machine (1991 EQ'd version) 5:04
- 2 Get Up (I Feel Like Being a) Sex Machine (live) 7:45
- 3 Think 3:11
- 4 I Got You (I Feel Good) 2:26
If this landed
Records by other artists that run on the same instinct.
There's a Riot Goin' On
Sly and the Family Stone
Shares a similar blend of funk and soul with socially conscious themes and a deep groove.
Mothership Connection
Parliament
Combines funky rhythms with exuberant vocal performances, creating an infectious dance atmosphere.
The Need of Love
Earth, Wind & Fire
Features vibrant grooves and uplifting lyrics that emphasize empowerment and celebration on the dancefloor.
Reference: Wikipedia · MusicBrainz · Wikidata
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