Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The songs have sharp melodic and structural identities, but the long, era-hopping compilation sequence has little shape of its own.
What we noticed
- The opening six move from the wistful pop of “Days” and “Wonder Boy” through “Waterloo Sunset” to the more pointed “Dead End Street”; “Set Me Free” then brings in a harder guitar attack.
- The sequence jumps between eras and styles: early guitar-driven singles sit beside later character songs, and “Louie Louie” at 17 leads into “Animal Farm” and “Shangri-La.”
- At 20 tracks, it closes with “Where Have All the Good Times Gone” after a run of hits and album cuts, rather than building toward a distinct final suite.
- Composition 25% of the score
-
8/10
- Craft 20% of the score
-
7/10
- Durability 25% of the score
-
8/10
- Distinctiveness 18% of the score
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3/10
- Sequencing 12% of the score
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3/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Days 2:54
- 2 Wonder Boy 2:49
- 3 Autumn Almanac 3:10
- 4 Waterloo Sunset 3:15
- 5 Dedicated Follower of Fashion 2:58
- 6 Dead End Street 3:18
- 7 Set Me Free 2:10
- 8 Sunny Afternoon 3:28
- 9 Till the End of Day 2:18
- 10 Sittin’ on My Sofa 3:00
- 11 Victoria 3:36
- 12 A Well Respected Man 2:11
- 13 You Really Got Me 2:13
- 14 All Day and All of the Night 2:20
- 15 Tired of Waiting for You 2:30
- 16 See My Friends 2:40
- 17 Louie Louie 2:53
- 18 Animal Farm 2:59
- 19 Shangrila 5:16
- 20 Where Have All the Good Times Gone 2:49
Reference: MusicBrainz · Wikidata
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