Top tracks — play these first
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Hate Me — This track serves as an anthem of defiance, combining catchy hooks with confrontational lyrics that resonate with listeners seeking empowerment against criticism.
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Guilty Pleasure — The title track encapsulates the album’s themes of indulgence and rebellion, featuring a catchy chorus that highlights the band’s playful yet aggressive style.
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I Am Satan — Despite its brevity, this track stands out for its audacious statement and directness, reflecting the band's willingness to provoke and challenge societal norms.
Is this for you?
Good fit if you like
- party anthems for wild nights
- short bursts of chaotic energy
- sing-alongs with friends
- unapologetic hedonistic vibes
- quick hits of fun
Maybe skip if you
- seekers of deep introspection
- prefer slow, thoughtful pacing
Where this album fits
- Career context
- By the time 'Guilty Pleasure' was released in late 2014, Attila had already established themselves as a controversial force in metalcore with their previous album 'About That Life' (2013). This release marked a continuation of their provocative style and thematic focus on hedonism and rebellion, solidifying their brand within the genre while also expanding their audience.
- Stylistic neighbors
- The Acacia Strain· Chelsea Grin· For Today
Moments worth listening for
Where the writing does something specific.
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Hate Me
The verses construct a narrative that directly addresses detractors, challenging them while simultaneously celebrating the band's lifestyle choices.
This direct confrontation shifts the tone from defensiveness to empowerment, showcasing Attila's knack for transforming negativity into a rallying cry.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Pizza, Sex and Trolls 1:53
- 2 Hate Me 3:41
- 3 Rebel 3:18
- 4 Guilty Pleasure 3:53
- 5 I've Got Your Back 3:26
- 6 Proving Grounds 3:28
- 7 I Am Satan 0:20
- 8 Break My Addiction 3:00
- 9 Horsepig 4:00
- 10 Dirty Dirty 3:25
- 11 Fake Friends 3:12
- 12 Don't Be Basic 0:19
- 13 The Cure 3:15
Reference: Wikipedia · MusicBrainz · Wikidata
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