What makes Here Come the Vikings by Astrid Williamson notable?

This album was well-received by critics and helped solidify Williamson's reputation as a skilled songwriter. It garnered attention for its lush arrangements and introspective themes, contributing to the broader landscape of British indie music in the late 2000s. Released in 2009, Here Come the Vikings is Astrid Williamson's third studio album, following her 2006 release, Day of the Lone Wolf. At this point in her career, she was establishing herself as a distinctive voice within the independent music scene, showcasing her ability to weave intricate melodies with poignant storytelling.

Who is Here Come the Vikings for?

Here Come the Vikings works well if you're into steady mid-tempo reflective moments, introspective lyrics for quiet times and ethereal melodies that linger.

How many songs are on Here Come the Vikings?

Here Come the Vikings has 10 tracks, running approximately 40 minutes.

Here Come the Vikings

Astrid Williamson · 2009

40 min · 10 tracks · independent music

Dreamy soundscapes blend with introspective lyrics, creating a hauntingly beautiful experience that lingers long after listening.

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Top tracks — play these first

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Store — Opening with ethereal vocals and layered instrumentation, this track encapsulates the album's atmospheric qualities while introducing Williamson's signature reflective lyricism.
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Sing the Body Electric — This track stands out due to its infectious melody and anthemic chorus, representing a shift towards a more upbeat perspective within the album's generally introspective tone.
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How You Take My Breath Away — The emotional depth of this song highlights Williamson's ability to convey vulnerability through intimate lyrics and delicate instrumentation, making it one of the album's most memorable moments.
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The Stars Are Beautiful — Closing the album on a hopeful note, this track combines sweeping melodies with evocative imagery, leaving listeners with a sense of wonder and reflection.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

58 /100

Treeline

Higher than 49% of albums we've rated

The album combines introspective lyrics with layered soundscapes, creating a distinctive yet cohesive listening experience.

What we noticed

The first half of the album features tracks that build gradually, layering instrumentation before reaching a more dynamic climax in the latter half.
Several tracks utilize a combination of ethereal vocals and ambient synths, creating a dreamlike atmosphere that persists throughout.
The lyrics often reflect personal introspection, with recurring themes of longing and self-discovery woven into the melodies.

Composition 25% of the score: 7/10
Craft 20% of the score: 6/10
Durability 25% of the score: 7/10
Distinctiveness 18% of the score: 7/10
Sequencing 12% of the score: 6/10

Influence 2/10

Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

steady mid-tempo reflective moments
introspective lyrics for quiet times
ethereal melodies that linger
background warmth for focused work

Maybe skip if you

seeking high-energy excitement
prefer standalone singles

Where this album fits

Career context: Released in 2009, Here Come the Vikings is Astrid Williamson's third studio album, following her 2006 release, Day of the Lone Wolf. At this point in her career, she was establishing herself as a distinctive voice within the independent music scene, showcasing her ability to weave intricate melodies with poignant storytelling.
Stylistic neighbors: Lisa Hannigan· Nina Nastasia· Lana Del Rey