What makes Here I Come by Barrington Levy notable?

Here I Come is significant for its influence on the dancehall reggae genre, capturing the era's vibrant sound. The album features popular tracks that received substantial airplay and contributed to Levy's chart success, particularly 'Under Me Sensi,' which has been covered and referenced by numerous artists in the years since. Released in 1985, Here I Come marked Barrington Levy's fourth studio album and solidified his presence in the reggae scene following the success of his hit singles like 'Under Mi Sleng Teng'. At this stage in his career, Levy was transitioning from a rising star to a more established figure in reggae music, showcasing his distinctive vocal style and lyrical depth.

Who is Here I Come for?

Here I Come works well if you're into vibrant rhythms for celebration, for sunny afternoons and catchy tunes for group dancing.

How many songs are on Here I Come?

Here I Come has 12 tracks, running approximately 46 minutes.

Here I Come

Barrington Levy · 1985

46 min · 12 tracks · reggae

A vibrant blend of reggae grooves with soulful melodies that invite listeners to dance and reflect.

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Top tracks — play these first

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Here I Come — The title track encapsulates Levy's smooth vocal delivery over a catchy rhythm, establishing the album’s upbeat tone and setting the stage for dancehall culture.
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Under Me Sensi — This track became one of Levy's signature songs, blending playful lyrics with an infectious melody that resonates in both reggae and dancehall scenes.
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Cool and Loving — With its romantic themes and laid-back groove, this song showcases Levy's ability to convey emotion while maintaining an inviting rhythm perfect for relaxing or dancing.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

54 /100

Foothills

Higher than 43% of albums we've rated

The album features strong grooves and varied tempos, balancing danceable tracks with reflective moments.

What we noticed

The album opens with a title track that sets a mid-tempo groove, followed by several tracks that maintain a consistent danceable rhythm.
Levy's vocal delivery alternates between smooth melodies and rhythmic phrasing, often layering harmonies in the chorus sections.
The last three tracks slow down the tempo, providing a contrast to the earlier upbeat songs and creating a reflective mood.

Composition 25% of the score: 7/10
Craft 20% of the score: 6/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 6/10
Sequencing 12% of the score: 7/10

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

vibrant rhythms for celebration
for sunny afternoons
catchy tunes for group dancing
feel-good vibes throughout listening
soulful melodies for relaxation

Maybe skip if you

prefer slow, introspective music
seek complex, experimental sounds

Where this album fits

Career context: Released in 1985, Here I Come marked Barrington Levy's fourth studio album and solidified his presence in the reggae scene following the success of his hit singles like 'Under Mi Sleng Teng'. At this stage in his career, Levy was transitioning from a rising star to a more established figure in reggae music, showcasing his distinctive vocal style and lyrical depth.
Stylistic neighbors: Dennis Brown· Gregory Isaacs· Sugar Minott