Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The rap-metal premise gives the EP a distinct identity, but repeated versions and a sharp switch to cover and live material limit its shape and replay depth.
What we noticed
- The first two tracks are censored and uncensored studio versions of the same rap-metal song, so the EP opens by repeating its central idea.
- Track three abruptly turns to a cover of Black Sabbath’s “Sabbath Bloody Sabbath,” before the final three tracks switch to live performances.
- The live closing run revisits “I’m the Man” before moving to “Caught in a Mosh” and “I Am the Law”; it ends on established band material rather than another version of the novelty track.
- Composition 25% of the score
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5/10
- Craft 20% of the score
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6/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 I'm the Man (censored radio version) 3:03
- 2 I'm the Man (Def Uncensored version) 3:04
- 3 Sabbath Bloody Sabbath 5:48
- 4 I'm the Man (Extremely Def Ill Uncensored version) (live) 4:39
- 5 Caught in a Mosh (live) 5:34
- 6 I Am the Law (live) 5:49
Reference: MusicBrainz · Wikidata
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