Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
A concise split whose two distinct halves give it character, though the abrupt artist handoff makes the sequence feel more like a pairing than a unified arc.
What we noticed
- The first three tracks are Iron Monkey; the remaining three switch to Church of Misery, making the split a hard midpoint change rather than an interleaved dialogue.
- Church of Misery’s half names three murderers in its track titles, while Iron Monkey’s titles do not follow that true-crime framing.
- Composition 25% of the score
-
6/10
- Craft 20% of the score
-
7/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Sleep to Win 9:57
- 2 Arsonaut 4:50
- 3 Kiss of Death 1:47
- 4 Murder Company (Henry Lee Lucas) 7:54
- 5 Son of a Gun (David Berkowitz) 9:06
- 6 Where Evil Dwells (Richard Ramirez) 5:02
Reference: MusicBrainz · Wikidata
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