IV
The Stranglers · 1980
51 min · 14 tracks · new wave
A fusion of punk energy and new wave experimentation, marked by dark humor and complex arrangements.
Top tracks — play these first
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The Raven Start here — establishes the sonic palette early
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Duchess — This song combines catchy melodies with sharp lyrics about societal norms, showcasing the band's ability to blend pop sensibilities with punk ethos.
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Nuclear Device — The track's commentary on nuclear proliferation is wrapped in a driving rhythm and sardonic tone, making it both a protest song and an infectious anthem.
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Five Minutes — With its punchy beat and lyrical narrative about fleeting time, this track exemplifies the band's knack for emotional storytelling within a short format.
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Vietnamerica — Addressing themes of war and cultural identity, this song stands out for its poignant lyrics and atmospheric instrumentation, reflecting the band's political engagement.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album showcases complex arrangements and strong production but lacks a fully cohesive flow.
What we noticed
- The album opens with a track that features a driving bassline and layered synthesizers, establishing a dark, energetic tone.
- Several tracks employ abrupt tempo changes, such as 'Nuclear Device', which shifts from a steady beat to frenetic sections.
- The use of unconventional song structures is evident, with songs like 'Duchess' featuring multiple distinct sections rather than traditional verse-chorus forms.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- steady mid-tempo progression
- darkly melodic undertones
- intricate arrangements to explore
- thought-provoking lyrical themes
Maybe skip if you
- prefer fast-paced listening
- seek straightforward structures
Where this album fits
- In the catalog
- Breakthrough — IV solidified The Stranglers' status in the post-punk landscape after earlier successes.
- Themes
- nuclear proliferation· cultural identity· societal norms· war commentary
- Moods
- Dark· Introspective
- Career context
- Released in January 1980, IV was The Stranglers' fourth studio album, coming after their commercial success with Black and White. The band was establishing themselves as a formidable presence in the UK music scene, blending punk rock with more sophisticated influences, which would define their sound moving forward.
- Stylistic neighbors
- The Cure· Siouxsie and the Banshees· Gang of Four
Tracklist
- 1 The Raven Start here 5:09
- 2 Baroque Bordello 3:48
- 3 Duchess 2:29
- 4 Nuclear Device 3:30
- 5 Meninblack 4:50
- 6 Five Minutes 3:16
- 7 Rok It to the Moon 2:45
- 8 Vietnamerica 4:09
- 9 G.m.b.H 3:51
- 10 Who Wants the World 3:22
- 11 Do the European 4:27
- 12 Choosey Susie 3:11
- 13 White Room 3:52
- 14 Straighten Out 2:45
If this landed
Records by other artists that run on the same instinct.
Remain in Light
Talking Heads
Shares complex arrangements and a blend of punk energy with new wave experimentation.
Closer
Joy Division
Explores dark themes and societal issues with an atmospheric, post-punk sound.
Q: Are We Not Men? A: We Are Devo!
Devo
Fuses punk's raw energy with new wave's quirky experimentation and social commentary.
Reference: Wikipedia · MusicBrainz · Wikidata
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