I've Got the World on a String
Louis Armstrong · 1960
39 min · 10 tracks · jazz
A sophisticated blend of heartfelt ballads and swinging jazz that showcases Armstrong's rich, raspy voice and masterful trumpet playing.
Top tracks — play these first
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When Your Lover Has Gone Start here — This track beautifully showcases Armstrong's emotive vocal style, revealing vulnerability as he navigates themes of love and loss through poignant phrasing.
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Nobody Knows the Trouble I've Seen — Armstrong’s interpretation brings a deep sense of sorrow and resilience, using his trumpet to echo the somber lyrical content in an emotionally compelling way.
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I've Got the World on a String — The title track captures Armstrong's signature charm and wit, blending playful lyrics with a swinging rhythm that exemplifies his unique ability to infuse joy into any performance.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album showcases strong compositions and skilled performances, with a cohesive flow and distinct sound characteristic of Armstrong's style.
What we noticed
- The album features a consistent use of brass instrumentation, with Armstrong's trumpet taking the lead on most tracks.
- Each track is arranged to allow for extended improvisation, particularly in the solos that follow the main melody.
- The tempo varies across the tracks, with several pieces starting slowly and building to more energetic sections before returning to a softer conclusion.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- nostalgic reflections on love
- short bursts of soulful expression
- melancholic moments of introspection
- playful interactions with classic standards
Maybe skip if you
- prefer fast-paced, energetic albums
- want longer, sprawling compositions
Where this album fits
- In the catalog
- Fan Favorite — This album is well-regarded by fans for its classic Armstrong style and song selection.
- Themes
- heartfelt ballads· sorrow and resilience
- Career context
- By 1960, Louis Armstrong was an established jazz icon, transitioning from a period of widespread popularity in the 1950s. This album followed his successful collaborations and marked a return to more personal, introspective material after several years of commercial hits. It reflects his enduring legacy and influence as one of the most beloved figures in American music.
- Stylistic neighbors
- Miles Davis· Ella Fitzgerald· Count Basie
Tracklist
- 1 When Your Lover Has Gone Start here 4:41
- 2 You're the Top 2:34
- 3 You Turned the Table on Me 2:37
- 4 Don't Get Around Much Anymore 3:41
- 5 Little Girl Blue 5:45
- 6 Nobody Knows the Trouble I've Seen 4:55
- 7 We'll Be Together Again 4:07
- 8 I've Got the World on a String 2:53
- 9 Do Nothin' Till You Hear From Me 4:16
- 10 I Gotta Right to Sing the Blues 3:55
If this landed
Records by other artists that run on the same instinct.
Lady in Satin
Billie Holiday
Shares the same heartfelt balladry and emotional vulnerability with lush orchestral arrangements.
Chet Baker Sings
Chet Baker
Features a similar blend of intimate vocals and melancholic trumpet, capturing themes of love and loss.
After Midnight
Nat King Cole
Combines smooth vocals with a sophisticated jazz backdrop, reflecting warmth and introspection.
Reference: Wikipedia · MusicBrainz · Wikidata
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